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When I first listened to Camille Keller’s loose stream of singles that became the latter half of Lack of G-LIP, I felt like I was listening to alternate reality music. Described by somebody on Rate Your Music as “NTS-core,” his music is confident, slick, a little cerebral, but approached from a unique angle that seems to effectuate grandiosity by stripping away almost all musical elements that are generally associated with grandiosity. This is fashionable and sarcastic music that somehow manages to avoid disaffection. The Brussels-based musician recently played Baby’s All Right; when he finally went on at around 1:30 AM, I turned to my friend and said “Okay, I need to lock in now”.
Dec 31, 2025