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Deliverance is one of my favorite exhibitions ever, I came across Brittany on the internet a few years ago   When I was in London last month, I walked all the way to Mamoth Gallery in the rain bc I thought it was showing,,, turns out this show was there in October 2022 not 2023 lol Anyways, I don’t even care. I love this show so much that I would walk that again happily bc the thought of getting to see it IRL was so epic, like how’d I’d imagine the final mile of a pilgrimage feeling  Long winded press release excerpt for ur reading:  “Remote from the cerebral desires of the vaniteux, the fetishist-as-artist pursues gratification not through passive, mimetic consumption, but through the creative act of automatic transfiguration, a process that sees the mundanities of everyday life – wearing a raincoat, spilling chocolate syrup or traipsing through a muddy field in woefully inadequate footwear – imbued with limitless erotic potential by the fetishist, and limitless poetic potential for artist Brittany Shepherd.”
Nov 3, 2023

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My friend Carly Mark is a genius artist, making work about the female gaze, body horror and conspicuous consumption. But now you can conspicuously consume Puppets and Puppets, the high meets low endless design experiment she’s running like it’s Gucci in the Tom Ford era only EVERYONE is invited. Gender, size- she’s blowing up all the binaries of fashion. It ain’t cheap, but the prices reflect couture level production, fascinating fabrics and playfully sinister details (a demure Mary Jane with a wooden wedge of cheese for a heel, a chic little purse with a resin black and white cookie slapped on its front in place of logo hardware.) This is high fashion for the kid who liked to layer macaroni necklaces, for the former Emily The Strange who now works in branding, for any person who wants to add “art witch” to their resume. Carly has made me a few dresses and whenever I wear them, I feel like I can change the world with the power embedded in the layered skirts. It’s also so genderfluid that my husband can (and does) steal.
Jan 3, 2023
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Rly recommend this exhibition, very John Waters and glittery and gooey and fun. Bring back mess to the club !
Apr 16, 2025
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I loved the exhibition which presented Madame Grès and Azzedine Alaïa's pieces in conversation. This bit of the exhibition text struck a note: "When you find something that is personal and unique," said Madame Gres, "you must make the fullest possible use of it, pursuing its realisation wichout stopping until the end." Alaia echoed her words years later: "When an idea comes into your mind, you must capture it with a lasso and circle around it relentlessly." I liked how they saw couture as sculpture and I wondered if I should experiment with the sewing machine next. Something I am already considering. The place itself was small but lovely, with one of the most beautifu, cosy and quiet terrasses I have seen in a while, and well populated only by fashionable folks. Something similar to something I should open in Karachi, with artist studios upstairs perhaps. Grès' photographs of her dresses worn also touched me. I wonder how much of capturing imagination is image creation, and if this is a sign I should start experimenting with film now that I have an array of lenses from M. Chacha. Grès' story was also remarkable to me because of her true love for creation and art, and how she just opened a storefront and did not follow fashion week calenders. I wonder if I should too, just buy a storefront here and start my own thing, like Nazish and I were discussing on Saturday evening.
Mar 11, 2024

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It’s perfect and awesome and itches my tiny little mouse brain I screen-recorded the whole thing to share with my non-Apple music network
Nov 3, 2023
Sexy perfect gorgeous well done
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