A really influential collaboration for me is Michael Clark and Charles Atlas. Michael Clark is a choreographer who merges punk music, fashion and formal dance in a flamboyant, yet technical style. Charles Atlas gives a frame to the performances. I find myself craving the guided gaze of cinema in live performances, but it can be hard to conceive of when the cut should be and where the camera should be. I’ve seen performance best documented in the silent comedies of Buster Keaton and in the camera work of Charles Atlas.