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I’m admittedly not well versed in Akerman’s work, though I did manage to duck into a Metrograph screening of ”News From Home” sometime during the eight months I lived in NYC. I was really taken with this one, though, newly released in a 4K restoration as part of a retrospective Criterion Collection box set.
Aurore Clément (who I primarily associate with the twenty minutes of Paris, Texas that I can usually make it through before falling asleep) gives such a restrained, natural performance in the titular role. Akerman’s shot compositions are so extremely static that they truly give the feeling of being a wordless observer of the scenes she’s directing Clément through. I‘m sure there are many great essays on how Akerman leverages voyeurism, and I look forward to doing some deep diving here.
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Jan 24, 2024

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Or any other Chantal Akerman film tbh
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watch her short film, LE CHAMBRE (1972). one of the greatest things i’ve ever seen.
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