šŸ’ø
Most of what I do for work is make music videos. a lot of people ask me to make one for them. Usually they offer me what I think is an embarrassingly small amount of money. Sometimes I want to reply to emails ā€œmaybe you should ask a middle schooler to direct itā€ one of the justifications they use is that people don’t watch music videos that much. but, - if you Spend less money you Make a lesser product - when they spend less money on videos, videos become often mediocre - videos as a whole become devalued, because they are often mediocre, and now less people are going to take the time to watch any video, since they are used to mediocrity when they do. When you pay people well they work better. Dont give your best ideas away
Jan 30, 2024

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šŸŽµ
been thinking about this a lot within the context of the industry I work in recently. specifically about how the current music industry, especially in the case of streaming, has commoditized music into being essentially worthless in and of itself. a song in a vacuum has no value if it isn’t attached to the ā€œbrandā€ of the artist, which becomes a platform to sell merch, concerts, generate content, and all the other activities that actually generate money for the artist (and label). there is licensing revenue, but even then that’s assigning value to the right to exploit revenue from the song, not the art itself. reading this book that takes place in the early 1800s and it mentions how music used to be just something that people did for themselves in their own homes, writing their own songs or purchasing sheet music to perform others’ songs. musicianship used to be a socially binding activity, as you would play for the gratification of those in your community. in most cases tho people performed for their and their immediate circle’s own satisfaction, and there was no pressure to turn it into a product. today it’s like people who want to be good at music have to attempt to be a professional to justify spending the time that isn’t generating money for them, squeezing it between their day jobs. if you want your music to be heard by others you have to heavily market yourself to vie for attention among the endless others on streaming platforms. there’s few places if any where people can come together and perform music themselves for any reason other than their own edification, and we’ve lost any social practices that encouraged everyone to have some form of musicianship to be able to participate in these kinds of events. it’s like something that was as common as riding a bike back in the day has been discredited as a socially valuable skill as it became unprofitable, same for dancing I suppose. anyway, not really going anywhere with this, just hoping for a future world where all this AI coming up becomes something that alleviates the need for work and frees people up for art and community instead of becoming a competing force churning out music as a commodified product and drowning out the humans who produce at a human pace. the pessimist in me feels like the pressures of capitalism will mean that the opposite will happen, and AI will create the art so that the people have more time to dedicate to producing ā€œvalueā€
Mar 17, 2024
šŸ‘“
I’ve made it a bit of a habit (by accident) of turning all the stuff I love into work. So to find a way around it, I’ve started to remix songs I like and such - stuff I objectively cannot monetize. So I can’t turn it into a job because I don’t own any of the underlying material. It’s a great way to express yourself artistically and reclaim your love of art. 🫔
Oct 28, 2024
ā€¼ļø
perspective to offer: it’s clichĆ©, but i’ve found that working in the music industry HAS put a bit of a damper on my relationship with it. i didn’t realize this until this past year, but it’s very easy to pursue every opportunity to either generate income/make connections…. even opportunities that don’t thoroughly align with your personal ethos—things that don’t excite you artistically so i offer a word of caution; should you choose to go this route, protect your love for your practice ā¤ļø
Feb 11, 2024

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