The episode where Jessa goes and visits her dad. Having that iconic confrontation with him. Then she just ends up leaving Hannah at her dads. Yeah that one, what got me where these lines:
āYou have no idea, do you?ā
āWhat do I have no idea about?ā
āWhat?ā
āOf how much time Iāve spent waiting for youā
āOf how much shit Iāve taken
Because you never taught me how to do anything elseā.
This might not make the most sense but if I donāt write it I know Iāll be angry with myself.Ā
As someone who has always naturally been drawn to archives and journals and stories- Iāve found that Iāve been trapping myself in the narrative. The idea that life is a singular, vertical narrative, that pain is not simply pain but part of some bigger cycle of distribution and retribution. That pain is naturally repaid with love or safety or comfort. This narrative keeps me coddled in myself, it keeps me safe from having to face the fact that tomorrow might not be easier than today. That this year might not feel much better than last year. That as some things go on, they donāt always get lighter. They donāt alchemize from emotionally pain into material pleasure.Ā
The heroās journey tells us that the narrative follows simple steps. We are called- your alarm, a Britney Spears song, plays in the morning. Your car breaks down in an unfamiliar part of the city. Thereās a death in the family. Whatever it is, the call is something that moves us from familiarity to the unknown. It pulls the hero into the journey. We will then face the unknown and hopefully overcome it.Ā But what about the calls that we donāt answer? Or when we get stuck in the unknown? What about when we are braver than brave and we still cannot overcome everything? Iāve learned that sometimes our pain doesnāt come with atonement. Sometimes there is no return.Ā
Life doesnāt fit into the narrative. The alarm in itself is a narrative, you set it the night before, or maybe you set it three years ago and youāve been waking up to the same song every single day. The car is a narrative, the unfamiliar side of the city is a narrative. Why havenāt you been there? The death is a narrative explored and experienced by every person in your family, every friend of the dead, every coworker who called the morning after to see why they didnāt show up when their alarm went off that day. Everything is a million narratives coinciding and to trap ourselves into one, to tell ourselves only one story, is blinding us to the intricate nature of life. We cannot exist in only one dimension, and to choose to exist in various different- sometimes beautiful and sometimes horrible- narratives at once is to choose to stop coddling oneself, to stop following your pain like it always has something to give you.Ā
Sometimes it doesnāt. Maybe thatās fine.Ā
so i learned abt seasonal work from this chick i hooked up with a singular time who worked w the peacecorps and travelled all around the country. i didnāt want to go home last summer so i decided to apply to work as a host at a fuck ton of hotels and lodges in national parks. i ended up working in yellowstone for the summer and it absolutely changed my life. as someone whos not super exceptional and whoās worked in food service since i was 14-15, i really never thought i would be able to get to do stuff like this. the people i met in the mountains who have been traveling for years on end and just working these shitty service jobs to support it really changed my life. we r suffering in late stage capitalism but there is a really beautiful world around us and i suggest you try to see as much of it as you can. itās not as hard as they make it seem and itās a million times more valuable than staying in whatever bubble weāve created for ourselves. (me at the top of one of the tetons holding quartz)