From the theater of history, a brilliant embodiment.
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Wow, wow, wow. I can’t remember ever laughing this hard at a Broadway show. How beautiful and insane that Cole Escola has hatched from their genius mind such a well received, delightful, engaging piece of theatre. God, it’s so silly and stupid and yet so SMART and brilliant. I feel so inspired, like we are on the cusp of a delightful comedic renaissance. I’m delighted to charge forth in the name of this cause, touting the electric genius of Oh, Mary and hopefully contributing work of my own to this flavor of art. Because mama, IT IS ART!
Jul 2, 2024
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not surpised in the slightest, the world is my stage
May 8, 2024

Top Recs from @nicolaspedrerosetzer

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He is cute and eats steel.
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Research has led me to Rodolfo Mederos, the illustrious Argentine bandoneonist who plays a fictional version of himself in filmmaker Hugo Santiago's "The Sidewalks of Saturn." Much has been made of lonely men playing the saxophone –– Gene Hackman in "The Conversation" or Dennis Hopper in "Backtrack" –– but no ink has been spilled on the distinct ennui of the lone South American bandoneonist who must play and compose in exile. Hundreds of thousands of South Americans were exiled while the U.S. played its dirty games in the aftermath of WWII. This is what cries while Mederos strums throughout "The Sidewalks of Saturn," a soulful whirring which is also present throughout his 1977 album "De Todas Maneras."
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More specifically: the poster. It speaks for itself, it’s one of the best to have ever been made.