-stereotypical theater child -is told he’s mature for his age, and now at 25 he writes poop jokes for a living -performs plays (not musicals he can’t sing) around Kansas up until high school -realizes quickly theater is not in fact “cool” as his mom would describe - he trudges on until a traumatic family event sends him into a existential abyss of self questioning -goes to college for film in California on scholarship -completely reinvents himself to match his surroundings ditching the stereotypical theater persona (KC Austin I call him) -falls into heavy self medication and begins to have panic attacks (cute!) -Covid 19 happens (lol) -goes home -graduates school and moves to L.A -is now trying to figure out how to get back to KC Austin -so far so good!
Apr 23, 2024

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I write loads and have been fortunate to have a  lucky break or two with acting early on in my career...which is just a few years old.  I started off in journalism and digital editorial work fresh out of uni to pay bills and bide some time for *the* sudden inspiration of my destined life path to emerge flawlessly and effortlessly from the depths of my psyche, from the heavens above.  reality went like this: all the while, I harbored my secret acting bug I caught from early days on Earth. I'd take a night class or workshop here and there in secret around the city to expose myself to my own propulsion, until finally biting the bullet: I auditioned and applied for my masters, got accepted, and moved across the pond to London to do the thing — I've been here ever since. Shot my first television show as a recurring character in a crime drama during the pandemic and then followed up with my off-broadway + professional stage debut in nyc. THE way is not linear...and maybe thank God for that
Feb 12, 2024
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For some godforsaken reason I pursued theatre over visual art (terrible choice, but to be fair they’re both pretty bad). I also believed that I would be disciplined enough to audition full time in New York after college. I really thought that I’d be working on Broadway in some capacity on stage or off. I also thought I’d have everything figured out (my job, my love life, my friends - everything). Now, I have realized I don’t have anything figured out, I’m scared of mostly everything, and I don’t know what I want at all. Everything will probably work out. I hope.
Oct 18, 2024
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My friend’s stepson was super involved in producing this play when it was off Broadway; now it’s been promoted to The Show (Helen Hayes Theatre). Incredible to think he just turned 30. I sure as hell wasn't producing a Broadway show back then! It concerns Jane (a traumatized content moderator working in the Bay for an unnamed tech company, played with panache by Sydney Lemmon, Jack’s granddaughter) and her assigned therapist Loyd (starring Peter Friedman of “Succession” fame) - 90 minutes, just the two of them on stage, deep in dialogue about the mental hazards of her job and the relative remove of his professional “connecting trauma A to trauma D.” She’s a Zoomer, he’s a Boomer. Add tension. Stir. Having spent the last decade living in Berkeley working in tech, this is all pretty on-the-nose for me. I loved it. There’s quite a plot twist here too. Go see it before it closes in September! The play’s the thing. PS: the Times seemed to like it as much as I did: https://www.nytimes.com/2024/07/30/theater/job-review-broadway.html
Aug 8, 2024

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