Petit Maman is maybe my favourite film about girlhood; it’s spare and soft and ruminative. Miyazaki movies are also often centered on girlhood, and feminine adolescence— Kiki’s delivery service, and the Secret World of Arriety, are two that I would recommend. Extended (nonexhaustive) list: Catharine Called Birdy, Dirty Dancing, Turning Red, The Quiet Girl, Eighth Grade, Frances Ha.
Jul 8, 2024

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Classic Girlhood: Eighth Grade (2018) The Virgin Suicides (1999) Are You There God? It's Me, Margaret. (2023) Turning Red (2022) Little Women (2019) Girlhood continues when you are an adult: Brooklyn (2015) Frances Ha (2012) Girlhood but also dad stuff: Aftersun (2022)
Jul 8, 2024
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WARNING: potential spoilers as i list some of the movies’ major themes (from newest to oldest) - Mustang (dir. Deniz Gamze Ergüven, 2015): sisterhood, female liberation, bodily autonomy, sexuality, domestication, female solidarity, innocence     - 4 Months, 3 Weeks and 2 Days (dir. Cristian Mungiu, 2007): bodily autonomy, female friendships, female solidarity - Born In Flames (dir. Lizzie Borden, 1983): intersectionality with race, queerness, and class; female solidarity, white feminism, female liberation, rape culture  - House (dir. Nobuhiko Obayashi, 1977): the transition from girlhood to womanhood, female friendships, domestication, individualism, femininity as an ideal, mother-daughter relationships, innocence - 3 Women (dir. Robert Altman, 1977): individualism, domestication, motherhood, beauty standards and other societal expectations of women, the transition from girlhood to womanhood, innocence - One Sings, the Other Doesn’t (dir. Agnès Varda, 1977): impacts of second-wave feminist movement, bodily autonomy, female liberation, female solidarity - Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (dir. Chantal Akerman, 1975): individualism, family dynamics, domestication, bodily autonomy, objectification, female liberation  - A Woman Under the Influence (dir. John Cassavetes, 1974): intersectionality with class, sexuality, family dynamics, domestication, societal expectations of women - *Female Trouble (dir. John Waters 1974): intersectionality with queerness, sexuality, femininity, beauty standards and other societal expectations of women, mother-daughter relationships,  - Cléo from 5 to 7 (dir. Agnès Varda, 1962): objectification, the value of beauty, self-image, individualism  *i do not recommend this for those who may be sensitive to particularly triggering depictions of assault or abuse
Mar 28, 2024
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a lot of these are not that critically acclaimed but they are still really fun watches! 1. SAVING FACE (2008): it is a really touching film which is set in flushing ny, it is centred around a young Chinese woman and her exploration of her sexuality. surprisingly a very easy watch but also very heartfelt. 2. FRANCES HA (2013): a bit basic but still amazing, the main character which is played by Greta Gerwig navigates feeling lost in her 20s. me and my best friend quote this movie all the time. 3. COOL RUNNINGS (1993): i grew up with this movie always in the background, it is such a classic. very funny premise: based around a jamaican bobsledding team. very lovable characters, it is a comfort watch 100%. 4. SAVE THE LAST DANCE (2001): it is def a guilty pleasure watch, it's not critically acclaimed but when has that ever stopped me. great soundtrack, vibes overall are so comforting. the storyline is very predictable but like idc. 5. 50/50 (2011): as much as i don't like joseph gordon levit, this movie is so funny and heartfelt. 6. SHE'S THE MAN (2006): when i was 14 i had to run a play in my class and we got assigned shakespeare's twelvth night, and my teacher said to watch this movie. it is such a funny movie, again quite a guilty pleasure watch but so good. 7. INTO THE WILD (2008): this rec is quite film bro but the true story it is based on was a hyperfixation of mine for years. it is a dramatic retelling of the life of chris mc candless (made my dad cry which is not an easy feat) 8. UNE FILLE FACILE (2019): set in cannes and follows two cousins. speaks a lot to female relationships and may be my fav on the list. i won't spoil anything here, i just love it and you should watch it (it is also very beautiful) 9. THE HAND OF GOD (2021): set in 1980s napoli, follows a boy and his love for football as well as his complicated family life. such a gorgeous film
Jun 22, 2024

Top Recs from @nadiyaelyse

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Firstly, I’m so sorry you’re feeling that way— that’s really crummy, and I’m sure that once you feel that way everything feels like confirmation of being unspecial. But in a very very real way, you might be bored with yourself because you know yourself so well— other people don’t know you. You could walk into a bar or a cafe or an event and you would be new to at least one person there. If you feel like you aren’t interesting conversationally, are you a good listener? In a very honest way, the people I’ve found hottest and most intriguing are always good listeners, and people who are quiet and incisive. It’s okay if you don’t talk on and on; a lot of “interesting” people are just filling space with noise. Noise is always briefly exciting or interesting, but that doesn’t mean it has substance or adds value. Trust me on this, I’m a performer and frankly so many nights I’m just making noise. So first piece of advice is, approach yourself as if you were a stranger— look at everything about you like you’ve never ever seen it before, and start to notice what you like. Then build on those things. Like, it’s okay if you hate your clothes, but do you have one jacket/shirt/earring that you love? Wear that so much, and slowly look out for pieces that make you feel like the thing you love— it’s okay if it takes time, the outfits that make me feel dynamic are all cobbled together from stuff I found over years. Then look at other people, what do you find interesting about them? I am a knockoff of every woman I ever thought was cool— my summer camp counselor, my gender studies TA from my first year of college, my mom, and literally everyone else. That’s okay though, mimicking what you like is a way of developing your taste, and you will put yourself together in a way that’s a little different and totally your own. It’s okay if it takes time— sometimes we have seasons where we don’t like ourselves a ton, but they do pass, and who you will be in a year is a brand new person— you haven’t met them yet, and you might love them. Tiny practical advice? Go for walks; it’s good for your body, it releases endorphins, and it gives you a chance to people watch/observe nature. Read something small; it can be a single poem, or an essay, or a children’s book— I love Howl’s Moving Castle and if I’m feeling stuck in a rut I read that, even though it’s a children’s book. If reading isn’t your thing watch a movie or a TV episode, but whatever you consume, watch it and take notes, like you‘re a secret critic— note what you liked, whether it’s costumes or language or the vibe, and what you didn’t, and then you can find more things like it— that’s how you develop your own taste, and it’s a good way to develop language around art and media. All critics and essayists and everyone whose job is to write interestingly about art started with shit they liked in middle school, and built on that to find their own language— you can do that too. Sorry for the hugely long post, but I promise that you are more interesting than you give yourself credit for, and there are people in the world who will see that.
Feb 19, 2024
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This was really impactful for me; the analogy is, your life/your heart is a room (or an apartment, a space, etc) and relationships are all about inviting people into that room. Intimacy is letting them into the room and knowing that they might touch stuff, move furniture around, or change the way you’ve laid the room out. Transparency is letting people see the room, but keeping a glass between them and the space— they can see, but not touch. I think relationally we all have impulses toward transparency instead of intimacy, and it’s easy to say “I let you look at my room, that was intimacy,” while maintaining the glass that separates people from the room. Be intimate! Let people pick up the tchotchkes in your heart and move the furniture.
May 28, 2024
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I like to let my phone die— I often don’t charge it overnight, and try not to plug it in during the day. If you’re able to access work/school through only your laptop, let your phone die, or leave it on the plug in another room. I also delete most apps from my phone for periods of weeks, and minimally use social media— if this works for you, it can feel very liberating, and makes me feel much less constantly accessible (which I think is a good thing). Something that helps me is thinking about the flattening of correspondence; before social media, if you wanted to communicate to a friend, it was one-on-one— you might write a letter, or call, or email, but what you were doing was conversational and relational. When we use social media, we flatten a lot of individual relationships into one relationship between us and our “audience.” Instead of sharing a thought or comment intended for one person, and designed for them to reply and continue the correspondence, we put out press releases on our own lives: “this is what I had for breakfast,” “this is a meme about my mental health,” and we become part of a passive audience in our friend’s lives. We end up feeling like we’ve just seen our friends, because we’re “viewing” their lives, but actually apps leave us feeling very isolated and anti-social. Try deleting your most used social media apps, and also schedule a walk/movie night/coffee with a friend. Outside of radical deletion, pick an audio book to listen to, and pair it with a hands on/tactile activity: you could load the dishwasher, or draw, or try embroidery.
Jul 29, 2024