this is not exactly a comfy movie, what with all the violence and nazis, but watching it is comfortable for me⊠the music, the cast, the cinematography, and of course, the ending
NAZI PUNKS, FUCK OFF
Jul 31, 2024
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Apr 11, 2025
The countless atrocities committed by the Nazis have been well-documented in the media, but I canât recall having ever seen a movie that opted to focus on the cold banality of the lives of the Germans who were actively engaged in or complicit with such incredible cruelty. Filmmaker Jonathan Glazer (Under the Skin), inspired by Martin Amisâ novel, has decided to tap into this underexplored area, and the chilling result will haunt viewers for days.
Focusing on Auschwitz commandant Rudolf Höss (Christian Freidel) and his wife Hedwig (Sandra HĂŒller, both perfectly cast), who are raising their family in a well-appointed home directly adjacent to the camp, we watch them go about their relatively mundane existences. They live better than many of their fellow Germans and have local girls working as servants to help keep up the house, but otherwise much of their time is spent tending to trivial day-to-day tasks, aside from the odd bit of Nazi business that Rudolf attends to from his home office.
Nothing here is truly normal however, a point made very clear shortly into the film when the camera changes its view of the familyâs yard to expose the guard tower just on the other side of the brick wall that abuts the property. Given the proximity to the notorious camp, its noises permeate every aspect of the familyâs lives. The low hum of the furnaces is ever-present, punctuated by screams and gunshots. Frequently trains can be heard bringing more prisoners, puffs of steam appearing over the tree line. Somehow, the Hössâ and their children go about their day as if they donât even notice it.
To celebrate one of the childrenâs birthdays, Hedwigâs mother comes to stay. Initially impressed by the large, well-maintained home and garden, she casually wonders aloud if a Jewish neighbor might be imprisoned next door, complaining that she lost her chance to claim her curtains. As the pair sit on the patio and sounds from the camp impose themselves, she turns to glance at the wall, at least a little discomfited. At night, the sounds of suffering disturb her sleep and she looks out the window, only to see ash and bright flames erupting from a smokestack. She leaves the following morning.
While the atrocities next door are felt throughout almost the entire movie, we never see them. Everything is instead conveyed through Johnnie Burnâs meticulous sound design and the effect is powerful, especially in contrast to the mundanity of everything shown. Cinematographer Ćukasz Ć»alâs striking staging avoids overly prettifying the home while still maintaining a painterly artfulness, often using static, embedded cameras to give the proceedings the sort of voyeuristic feel of reality shows like Big Brother.
A movie may not be the best place to figure out exactly how people can react so blithely to such large-scale inhumanity, so Glazer doesnât really try to do so. It is enough however to be reminded that the behavior is not only something that we as a species are capable of, but that it is necessary for such evil to be enacted. Hopefully the reminder will help to prevent it from happening again. â
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RATED PG-13 FOR THEMATIC MATERIAL, SOME SUGGESTIVE MATERIAL, AND SMOKING.
Feb 21, 2024
Added a link to a 26 minute analysis of this scene. Itâs brilliant. I think the long drawn out scene build tension in such an ominous way. Hans Landa is one of my fav villains; heâs polite and eerily cheerful but he always knows more than anyone else in the scene does. This movie does a great job of doing long scenes as opposed to cutting back and forth to other characters / moments. I know the movie can come off as âbro-y Nazi killing WW2â movie but that is such a shallow view of it. Worth the watch.
May 18, 2024
Top Recs from @sloane_shark
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sincerity is cool, caring is cool, you are all cool
Feb 28, 2024
đł
the first thing to be said is that this recommendation applies equally to everyone
the next thing to be said is that you have, inevitably, been suffering from a cocktail of depression and anxiety for more than a decade, and this has made you incredibly tired
what you need is to make NYE plans with a good friend you haven't seen in years; she will bring you out to the club and it will be fuckin rad; you'll buy some cute clothes and she'll do your makeup, despite these not being things you really ever do, and you'll forget how much you typically disdain your appearance for one night
next, you're going to have to just read for awhile, books and essays and youtube comments and text messages
after enough reading, you'll have your own thoughts and questions, and you'll inevitably see someone else asking the question "am i trans?"
reading this question will naturally lead to you asking yourself: "am i trans?"
the answer is yes
at this point, you have transitioned into a girl, and everything else is just showing off; decide on a new name; get a therapist and a doctor who are supportive; pump your body full of the hormones it needs; get some cute new clothes and burn your old shit; ask for help picking out and doing your makeup
stop treating your body like a shipping container for your sad brain; transform it into the hot girl your brain already knows you are
Feb 28, 2024
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Aug 8, 2024