i make a top 25 releases list for myself every year and these have been hovering around the top spots all year: mk.gee - Two Star & The Dream Police Porter Robinson - Smile :D Chanel Beads - Your Day Will Come Bickle - Double Eagle This is Lorelei - Box for Buddy, Box for Star Gesaffelstein - GAMMA The Hellp - LL [Untitled] Charli XCX - BRAT Mura Masa - Curve 1 underscores - covergirl: originally by sonny specific placements aren't locked in yet but i'm pretty sure mk.gee will be my AOTY
Nov 13, 2024

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There has been so many amazing albums this year I know I'm for sure forgetting some 1. Big Ideas- Remi Wolf If you were to ask me one artist that would show my vibe, it'd be Remi 2. The Accident-Good Morning This album just came out and it's all I've been listening to... it's already a life long favorite 3. Charm- Clairo This is the first and only album I've ever listened to, but it was a big one this summer. Up until then I literally thought she was a teenager. 4. Alligator Bites Never Heal- Doechii I think about her growls during her Tiny Desk concert multiple times a day 5. I Got Heaven- Mannequin Pussy I GOT A LOUD BARK, DEEP BITE!!!! šŸ—£ļø 6. I Wanna Run Barefoot Through Your Hair- Christopher Owens Beautiful sounds about love, what more could you want 7. News Of The Universe- La Luz Someone here recommended this album right when I joined... I don't remember who but thanks 🫶 8. New Sound- The Geordi Greep I Love Shaking Ass To Geordi Greep 9. Fruit for Flies- The Army, The Navy the HARMONIESSSS!! 10. Bodies Laughing- The Smile I'm a Radiohead girlie thru and thru, of course I loved this album Givens because you know why: BRAT- Charli XCX The Rise and Fall of a Midwest Princess- Chappell Roan Honorable Mentions: Ten of Swords- Mouse Teeth American Football (covers) Patterns in Repeat- Laura Marling
Dec 21, 2024
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Branching Out - The Death of Me villagerrr, Merce Lemon - Never Everrr Kim Gordon - BYE BYE Quiet Light - Used to be Your Angel Chanel Beads - I Think I Saw Cindy Lee - All I Want Is You Fust - Deep Down and Do Believe MJ Lenderman - You Don’t Know The Shape I’m In Bassvictim - Alice Holidays in United States - Dog Song Fat, Evil Children - Hatchet xaviersobased - Softer voyeur - Whisper Jaeychino, SlimeGetEm - Me vs Me Truman Sinclair - stuckĀ  22° Halo - Orioles at Dusk Horse Vision - 11 Nate Sib - banger of the year Fcukers - Homie Don’t Shake TAGABOW, Greg Mendez, SUN ORGAN - krillin Bladee, Yung Lean - FUN FACT ian - Goodbye Horses Been Stellar - Passing JudgementĀ  LUCY, SURF GANG - SAME THING Mk.gee - I Want Chatterton - Lakewood Starling - I Want ToĀ Ā  Charli xcx - Spring BreakersĀ  Elias RĆønnenfelt, Joanne Robertson - Soldier Song Ken Carson - ss This Is Lorelei - Where’s Your Love Now F.G.S. - I’m Growing a Cross Around My Neck Push Ups - Bleeding Thin urika’s bedroom - XTC Mars Argo - Lick It Like a Kitten Still House Plants - M M M Hovvdy - Jean SahBabii - Viking Astrid Sonne - Give my all Nettspend - Skipping Class The Hellp - CausticĀ  Double Virgo - Were there originalsĀ  SEES00000 - RAL2222 Kora Puckett - Forever or Just Then SeeYouSpaceCowboy… - Chewing The SceneryĀ  Addison Rae - Diet Pepsi Crate - Julia Devon Ross - Mine Not Yours Hello Mary - Down My Life julie - clairbourne practice Sharp Pins - Every Time I Hear Superfan - Something On Your Mind Camila Cabello - B.O.A.T. Friko - Get Numb To It! Her New Knife - vitamin beauty Font - Looking at Engines Train Breaks Down - Forty Hour Suit Post Malone, Morgan Wallen - I Had Some Help Aspartame - Ship shower curtain - wish u well Hank - Angel Says and probably more that i’m forgetting <3
Dec 31, 2024
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quickly quickly - I heard that noise - noisy alt rock for punching holes in walls Venturing - Ghostholding - scuzzy lofi grunge rock Cootie Catcher - shy at first - indie twee Jane Remover - thrillseekerz - digicore rap Skrillex - FUS - Electronic mixtape (not for the faint of Dubstep) Bickle - Gut Feeling - electronic indie S/H/E - Earthbreaks - neo-yacht rock instupendo & ripsquad - Ripstupendo - ambient emo Marcioz - MORRA RICO //ou// MORRA TENTANDO - experimental afro-brazilian hyperpop Khotin - Peace Portal - minimalist ambient techno
May 12, 2025

Top Recs from @royallmonarch

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just sit still and listen. drink it in.
Jun 2, 2025
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I consume a lot of music regularly, and a huge part of keeping a fresh diet of new listens going is having enough sources of recommendations that aren’t an algorithm that either 1) reinforces your existing listening patterns, keeping you stagnant in your tastes, or 2) platforms whoever paid enough to push their product to the top, serving you something that may not inherently be of inferior quality, but may not align with your tastes, may not be exciting beyond just being a new release, and realigns your current listening habits to be more in line with what the average user on the platform is also listening to — which socially might have benefits but which creates a homogeneity of consumption that can become bland since you’re listening to something really just because it’s the next product on the assembly line to have its public moment and not because anything about the music actually captured your attention. the current landscape of streaming is designed to keep you at an all you can eat buffet where you take what’s served to you, and as a result a lot of us have forgotten how to look at a menu and order. so what does taking a more active role in your own music curation look like? for me, it’s meant not using streaming as a primary listening platform. I mostly use my local Apple Music library on my phone that I curate with the vestigial iTunes Library framework that’s still a part of Apple Music on my laptop. probably going to find an alternative soon since apple seems to be cutting integration progressively. I like this method because it forces me to choose what to sync to the limited storage space I have, forcing me to take inventory of what I actually listen to and what I can offload. the files I get are mostly from Bandcamp or Soulseek depending on whether it’s available for purchase or entirely unavailable online (as is the case for a lot of electronic music that was on vinyl only, which is where soulseek comes in clutch). I also have freedom here to change the ID3 tags to better sort and organize, rate, change track info, and track my own listening data. Bandcamp and other music purchasing platforms are great because 1) it reshapes my relationship to music away from consumerism and back towards curation. I have to pay actual money for this thing now if I want to use it, so i’m forced to consider its value (usually i’ll stream a release first to gauge my interest). 2) having to spend money helps me to course out my meals so to speak, as i’ll buy a few releases i’ve accumulated in my cart over the month and cash out on Bandcamp Friday when 100% of my money is actually getting to the artist (TOMORROW IS BANDCAMP FRIDAY BTW!!!), and between purchases I can actually chew and savor and digest my last orders, they don’t get swept up in the deluge of new releases. my plate is full until i’m done and then I order more. also for the times of the year like now when new music isn’t coming out as regularly I take time to find older music that I would normally overlook while keeping up with new drops. currently very into early 80s/late 70s music with early digital production, kinda stuff that would evolve into synthpop and dance music. so how do you know what to order? for me, I’m getting recs through trusted curation platforms. whether it’s bandcamp daily, y’all lovely folks here on PI.FYI, friends, or most importantly musicians who I follow on socials that share their tastes through posts, stories, playlists on steaming, interviews, etc. I like this last one especially because it’s kind of like a musical game of telephone. if I like an artist and they share their interests and influences it’s like every layer in this process is stretching my palate further from the sound that I was originally interested in and into a new territory that has some shared DNA but would never have been recommended to me by an algo because there’s no shared category or label between them, only the musical influence and interpretation of it made by the artist. as an example, I was a huge Skrillex stan, he signed KOAN Sound to his label, they collab with Asa who collabs with Sorrow, Sorrow takes huge influence from Burial, Burial makes some ambient adjacent stuff and takes huge influence from 90s rave music and drum and bass and 2000s rnb, now i’m listening to Brandy - All in Me, William Basinski, Aphex Twin, none on whom would get recommended by Spotify to me from Scary Monsters and Nice Sprites. LAST thing i’ll say — because in yappin about this i’m realizing how actually passionate about this subject I am: MAKE LISTS! playlists are cool, but they can flatten your music into vague categories of ā€œvibesā€ and ā€œaestheticsā€ and encourage picking one-off songs from artists that you never form an active audience relationship with. I make a practice of making my own year end lists of top 25 albums (plus some honorable recs and top individual songs) and keeping them in a notes doc that I regularly update and rearrange over the course of the year. this forces me to consider the actual relationship i’m forming with what i’ve ordered for myself. did I like it in the moment but it didn’t have staying power? is it slowly growing on me? it also encourages taking albums as a whole. maybe I liked one or two tracks a lot but the rest wasn't resonating. that’s ok! maybe I rank it lower but now i’ve actually taken time to consider it, it’s in my library, and maybe (quite a few cases for me) something I ranked like bottom 5 albums becomes a retroactive favorite from that year as my tastes evolve. also 25 albums to take with me from each year is really more than you'd think, i struggle sometimes to even find 25 that I formed a true connection with. I think the biggest thing the itunes era ruined that led into now is the single-ification of music, the ability to separate the hits from the deep cuts. albums are meant to be taken as a whole, and then once you've really sat with the whole you can find what actually stuck. even then I like to keep the whole around because soooo often i’ll write off a track that yeeeears later I come to love. trust the artist, they made it like they did for a reason. aaannyyyywayy TLDR: get recs organically, be more active in deciding your listening patterns, fr*cken pay artists yall, trust the artist embrace the album, really consider what you consume
Feb 29, 2024
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Jun 4, 2025