Hi there! I'm new to playwriting and got rejected from four comps that I submitted too this year (whatever im new to this shit). So I figure ima mess around n post it on new sm. Still a WIP but I thought I'd see what it'd look like on a platform like this. This is a family drama with shades of horror about two sisters reconnecting after the death of their mom. SCENE 4. CLAYBOURNE Morning. Over breakfast. Hannah and Jasmine are playing a hand game in the style of lemonade or something. Different lyrics though. Boxes everywhere. JASMINE & HANNAH How many shrimps do you have to eat. Before you make your skin turn pink. Eat too much and you’ll get sick. Shrimps are pretty rich. 1. 2. 3. 4. 5. Jasmine messes up. JASMINE FUCK. Hannah flicks her on the forehead. JASMINE OW. HANNAH So what now. JASMINE The basement. We’ll need a game plan for that because there’s a lot down there. HANNAH Is there? JASMINE Like a lot a lot.. I don’t even know where mom got most of that stuff. HANNAH The woman loved to collect. JASMINE The heavy stuff will definitely require Tommy Boy and I think Scott said he’d come by today. HANNAH Ooooo Scotty boy- JASMINE -Please don’t. HANNAH How is he? JASMINE Fine. So i guess for now we can start packing the quilts, silverwares, collectibles and throw em in these two boxes now. HANNAH Bet. JASMINE Good. They start taking turns going up and down the stairs into the basement. Jasmine yawns. HANNAH You okay? JASMINE Yeah. Just trouble sleeping last night. HANNAH A lot on your mind? JASMINE I don’t know-- its nothing. HANNAH What? JASMINE I had this weird dream last night. HANNAH Oooo I have weird dreams all the time. JASMINE I dreamt that someone was breaking in but when I went to go check I didn’t see anyone except mom. HANNAH Finally dreaming about her? JASMINE And I had this long conversation with her about like wondering if I was like good enough or something. Or maybe it was about something I left at the office. But I thought it was strange that the house was like super cold like if it was the middle of February. HANNAH Weird. And no one uh broke in? JASMINE No. Everything looked fine when I woke up. You were already here making coffee. HANNAH I dreamt about her all the time when she was alive. And you. JASMINE Really? HANNAH Totally. I’ve had dreams of you guys watching over my funeral. I’ve dreamt of her calling me a failure and a waste. But she did that when she was alive too so. JASMINE What about after her death? Hannah shrugs. JASMINE What does that mean? HANNAH No. I mean most of my bad dreams happened when she was alive. JASMINE I uhm. I’m sorry I never really wrote. You know, during your whole. HANNAH You’re good. JASMINE Mom said I shouldn’t. HANNAH No I understand. I mean my fights with her probably didn’t help that. JASMINE What was it like? HANNAH Uhhhm. It’s very uh how you say prosaic. JASMINE Pro what? HANNAH Unromantic. JASMINE Wow look at you. HANNAH Its quiet. A lot of space. Lot of time to think if thats your thing. If you wanted to sneak stuff in you could usually find someone who knew how. I didn’t want to. I guess I just used that time to observe. I watched people go through detox, I watched people who said they were getting clean lie. I learned how to listen to people who had been through shit you and I will hopefully never experience. But I guess I came to understand that I wasn’t gonna get better until I let go of shame. The shame that mom put on me, the shame that you put on me. Most importantly my own self loathing. JASMINE I haven’t been a good sister have I? HANNAH I mean I’m no better. But uhm. I guess until we decide to make peace with that, it can’t get better? Something like that... JASMINE Fuck. Maybe we should go to therapy. HANNAH Yeah I don’t know how we avoided that for this long. Jasmine awkwardly goes in for a hug. HANNAH Oh. Okay. Sure. Why not. JASMINE I love having this time with you. She still hangs onto her. HANNAH I do too. Beat. So what happened exactly when you were working with mom? JASMINE I mean what’s to say. I got to experience her for who she was. A powerhouse businesswoman. She was incredible to watch. HANNAH What does that mean? JASMINE She was a real leader. People do what she says. She always had a strategy for every move. Her standards were high though. She liked to yell whenever people would like fumble. HANNAH She loved the sound of her own voice, huh? JASMINE But I guess I was sad because I felt like this was who she was all along and if that was her then who were growing up around this entire time. You know? HANNAH Do you think she was a fraud? JASMINE No. Of course not. Her team believed in every decision she made, good or bad. HANNAH No as a mom. JASMINE That doesn’t mean she didn’t care about us. HANNAH An underachieving addict and an overachieving daughter with low self-esteem doesn’t exactly quell those accusations. Beat. JASMINE I didn’t like the way she treated people underneath her. HANNAH I didn’t like the way she treated the staff at rehab when she dropped me off. JASMINE I didn’t like the way she made me follow her like some pet. HANNAH I didn’t like the way she made me feel for wanting to be different. JASMINE I didn’t like the way she never appreciated all the times I stayed late for her. HANNAH I didn’t like the way she pit us against each other. Hannah grabs a piece of the old china. She hands it to Jazz. HANNAH Do it. JASMINE What? HANNAH Fuck it. It’s not ours. Jasmine raises it. Actually. No. It is ours. We can do whatever we want. Jasmine raises it again and smashes it. JASMINE Woahhhh. HANNAH How’d that feel. JASMINE Good! Really good!
Dec 30, 2024

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The sharp scent of rain tumbles clumsily in as you tease window-hinges wider with the pads of your fingers. A siren trails close behind, uninvited, sears your eardrums, dies off down the block. Your neighbors are arguing again. Laundry, loans, lack of commitment… like yesterday, like the day before. You think it would be suffocating to wrap yourself up in someone else’s sheets.  It’s five o’clock. Leaning against the sill and flicking the radio dial with one recently manicured nail, you tune into the local news. Roaring wall of static, then calm conversation between two anchors bubbling up through an old set of Panasonic loudspeakers. You are feeling incomplete today, like yesterday, like the day before. Rigatoni boils in the kitchen. You check the leftmost cabinet and find strawberry jam, unopened. You check the cupboard and look over a tub of tahini, a collection of canned soup, and a stack of pie tins. You check the counter, behind the cutlery. Finally, you check the fridge, ducking down to see only your own brown-eyed reflection in one last — now empty — jar of Prego. Your shoulders dip. You slip on white sneakers, not-so-white-as-they-once-were. Why did you try to paint the front door? It is peeling now, ugly like a fledgling losing young feathers. Flecks of buttery yellow dapple paisley carpeting. The great outdoors wait for you at the bottom of a cramped stairwell with twin light fixtures, both broken. A sky like an old sweater is draped above Brooklyn, ready to wring itself out again at any moment. Once around the block, rubber soles brushing damp cement, you walk briskly. At first you fling yourself against the humidity, then become self-conscious and adopt a slower pace as you near the corner store. Two dollars, sixty cents. Like last week, like the week before.  You and I, we are looking down at our phones and stumble into each other, halfway home. It is no one’s fault. You recognize me from somewhere, you say, and feel like a bad person for lying. You have never seen me before in your life. I ask for your number. That night you eat too quickly, knowing you’ll wish you’d saved some leftovers. I come over once, then again. We go out for dinner at tacky restaurants, where art deco posters from the nineteen-thirties have pinned themselves up in scattered flocks across worn-out drywall and the menu is printed with strange font on laminated placemats. The appetizer sample photos are unnerving; the bruschetta cowers like a scared animal awash in excessive camera flash. I make a joke about it, and you laugh. We order dishes to share. The food is always better than I expected, but not quite as good as you wanted it to be. You don’t mind. We talk for hours. We agree, ballpoint pens are better. I hold you, and the ten p.m. bus pulls you out of my arms and through the dusky streets, past crowds and utility poles. I hold you, and we rhyme our steps. Burgundy is around us in the leaves and in the dirt. You wear a coat I gave you. I hold you, and we swat flies out on your porch. The days are getting shorter. I hold you, and we watch blu-ray CDs you found on sale. Soft light from the flatscreen plays across your face as you fall asleep. I keep the movie on a little longer. I hold you. In December, we bring a blanket to Long Island and listen to the sound of snow falling on the dunes. You call in sick for work too often. I hold you, and you know my callouses well. We share the same sheets; we are wrapped up in each other. I hold you, and kiss your hair. You smell like candied oranges. The afternoons eat away at one another. Dishes pile like uneven layer-cakes in your kitchen sink, crested with suds. You say you feel uninspired. Now we argue about laundry, and the sounds of your unhappy apartment are heard through half-open windows.  You shout, eyebrows furrowed like the pages of a book. A white plate soars from the grip of a trembling hand, misses an upturned chin, and interrupts us with its shattering. This time, it’s different. Sleep escapes us ‘til the sun is already planted on the easternmost rooftop. I hurt you the way I learned to, and stay awhile, but don’t know why I stay. We sink into sweet, heavy things: the saxophone in “Charcoal Baby”, shared creamsicles on hot Saturday evenings. I see you less and less, and remember less and less of you. Will I see you next week? Yes, if you text me. You forget, just like we’d both hoped.
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She says there’s a tornado watch, and I shrug it off as I turn another page to my book. I just want to be reminded of what used to be real for a while before I join her to bed. I have 90 minutes before the dreams take me back for what I owe them. In the meantime, I’m with Ultra and Andy. I’m back in a place where the shitty instant movies meant something, not because they inherently meant something, but because a soup can was empty enough for the public to carry. Carry it they would, with enough means to make Ultra regret her own full stomach. The cans she had Andy sign could’ve funded her retirement, but the Factory was hungry. I’ve yet to create my food art that gets people interested in my shit movies. The wind starts growling against the windows in a way I haven’t heard in the decade I’ve lived here. The rain sounds sideways. I wake her from the bathroom as the wind has caught me on a break, and the living room is more window than wall. We’ve taken to sleeping on an air mattress in the living room floor by the windows. It was lovely under the tree in December, but now there’s no hiding why. It feels too real for a moment. I ask her to double check the radar. She says it’s fine, and she goes back to sleep. She already has me put on rain sounds with another apartment view on the TV nightly, though I don’t think either of us would have heard a difference had I turned it off now. Andy believed we would prefer the simulation. I‘m afraid he may be right. I’m afraid because I can’t control the one with a remote. Yes, that’s usually true, but for the moment I’m more afraid of the one outside my actual window that has no remote. Pontificating about simulacra or not, I’m afraid. As the storm starts to calm, the red light hitting my blinds from the LEDs is flashing. A fire truck is outside my window. Are these red lights more real, more meaningful? Do they make my fear more meaningful? The fire truck leaves (me). My 90 minutes have become 3 hours. My debt is greater. I can’t hide, and I’m afraid. It’s time to pay. I’ll simulate another violent death, wake up, and feel a little less convinced I’m about to be killed again since we’re in the living room. The lights help me see less of what isn’t there. I can see the front door bar intact with my own eyes. I’m safe enough to die in my sleep again. Good morning.
Feb 16, 2025
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just something i wrote for an assignment in 9th grade English. also if you recognize the mitski quote hidden in the poem don't tell my school I plagiarized pretty please i. I am to be born anew in ten days.  I can feel it In my skin. It pulses under the flesh Like a river, rushing through my veins. A change is fast approaching and I am not strong enough to withstand it. ii. I am too vulnerable, too fragile to change. I am one to be crushed under a boot, I cannot endure this change that will come in 9 days' time.  I am afraid. Afraid. iii. My mother changed only weeks ago. She is as young as I soon will be. Her children, my siblings, are many. I am one in one thousand and I will be lost in a haze of orange when we change. It will be brilliant, it will be, Fleeting. Our beauty will last only seconds in the eyes of those who look upon us. Mother, I am to be young again.  Mother, were you scared? Were you scared mother? I am scared of the change to come. iv. My hunger grows with each passing day, as does my fear. Some of my siblings have already started to settle. They seek out the places closer to the sky, as if, even in this life before the next, they long to be weightless, held only by the cold wind that I feel on my back.  They do not seem afraid, as I am. They turn their heads to the sky, facing down the wide expanse of blue like the ant faces a hurricane. They do not cower, only waiting for the change they know is coming. They are resilient in ways I am not. I am not, I am not, I am not. Please, I am not them, please, I cannot withstand this. I am afraid, do you hear?  I, who make no sound, am screaming I am afraid of the change to come. v. Today, I reflect. My life, as short as it is, is coming to an end. In five days, I will become someone else. In five days, I am to live a new life in a new body.  Mother, you are dying soon. Soon, my new body will replace yours in the kaleidoscope. Soon, mother, soon. I do not want to leave the ground, I do not want to take flight like I am intended to. Mother, soon, too soon.  vi. I have begun the change.  Soon, mother. Soon. ix. This barrier between me and my new world has begun to crack. I push at the walls of my chrysalis with new arms, new legs. This new body has not seen the outside world but it is unafraid. How? How did something so sensitive become a rock in a river? I had thought, before my new mind settled in my head, that my fear would remain.  Even if my body had changed, my mind would remain. But it has not, and I am just like my siblings. Their resilience which I had only witnessed when I had looked into their dark eyes, and seen the look on their faces, has become mine.  Oh mother, is this how you felt? Was I wrong to ask if you were afraid? You were, weren’t you? Just like me, my mother, like me. And like me you weathered your storm, you were born anew and unafraid. i. I am different. I feel it, in a way unlike any other. My body has changed but my mind as well. Before, I was guided by the will to survive. Before, I was not looking to the skies because there was nothing in them for me to look at, but now, now my weary head turns to the sky as almost second nature. It calls to me, to my newborn wings and my young resolve to conquer it.  I am finally living. Mother, is this what you felt like? Did you live as well? This change, this change, I am alive, for the first time, I live.   Oh, mother, I am not afraid. I will face the skies,         Unafraid.        And the wind will push my frail body   but I will not fall, no,         These new wings,  they will take flight and I will rise, Do you hear? Mother? I will rise, just like you.  I am born anew.
May 13, 2024

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