That Whitsun, I was late getting away:
Not till about
One-twenty on the sunlit Saturday
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone. We ran
Behind the backs of houses, crossed a street
Of blinding windscreens, smelt the fish-dock; thence
The river’s level drifting breadth began,
Where sky and Lincolnshire and water meet.
All afternoon, through the tall heat that slept
For miles inland,
A slow and stopping curve southwards we kept.
Wide farms went by, short-shadowed cattle, and
Canals with floatings of industrial froth;
A hothouse flashed uniquely: hedges dipped
And rose: and now and then a smell of grass
Displaced the reek of buttoned carriage-cloth
Until the next town, new and nondescript,
Approached with acres of dismantled cars.
At first, I didn’t notice what a noise
The weddings made
Each station that we stopped at: sun destroys
The interest of what’s happening in the shade,
And down the long cool platforms whoops and skirls
I took for porters larking with the mails,
And went on reading. Once we started, though,
We passed them, grinning and pomaded, girls
In parodies of fashion, heels and veils,
All posed irresolutely, watching us go,
As if out on the end of an event
Waving goodbye
To something that survived it. Struck, I leant
More promptly out next time, more curiously,
And saw it all again in different terms:
The fathers with broad belts under their suits
And seamy foreheads; mothers loud and fat;
An uncle shouting smut; and then the perms,
The nylon gloves and jewellery-substitutes,
The lemons, mauves, and olive-ochres that
Marked off the girls unreally from the rest.
Yes, from cafés
And banquet-halls up yards, and bunting-dressed
Coach-party annexes, the wedding-days
Were coming to an end. All down the line
Fresh couples climbed aboard: the rest stood round;
The last confetti and advice were thrown,
And, as we moved, each face seemed to define
Just what it saw departing: children frowned
At something dull; fathers had never known
Success so huge and wholly farcical;
The women shared
The secret like a happy funeral;
While girls, gripping their handbags tighter, stared
At a religious wounding. Free at last,
And loaded with the sum of all they saw,
We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast
Long shadows over major roads, and for
Some fifty minutes, that in time would seem
Just long enough to settle hats and say
I nearly died,
A dozen marriages got under way.
They watched the landscape, sitting side by side
—An Odeon went past, a cooling tower,
And someone running up to bowl—and none
Thought of the others they would never meet
Or how their lives would all contain this hour.
I thought of London spread out in the sun,
Its postal districts packed like squares of wheat:
There we were aimed. And as we raced across
Bright knots of rail
Past standing Pullmans, walls of blackened moss
Came close, and it was nearly done, this frail
Travelling coincidence; and what it held
Stood ready to be loosed with all the power
That being changed can give. We slowed again,
And as the tightened brakes took hold, there swelled
A sense of falling, like an arrow-shower
Sent out of sight, somewhere becoming rain.
Feb 11, 2025
Related Recs
📝
We can stick anything into the fog
and make it look like a ghost
but tonight
let us not become tragedies.
We are not funeral homes
with propane tanks in our windows,
lookin’ like cemeteries.
Cemeteries are just the Earth’s way of not letting go.
Let go.
Tonight
let’s turn our silly wrists so far backwards
the razor blades in our pencil tips
can’t get a good angle on all that beauty inside.
Step into this
with your airplane parts.
Move forward
and repeat after me with your heart:
“I no longer need you to fuck me as hard as I hated myself.”
Make love to me
like you know I am better
than the worst thing I ever did.
Go slow.
I’m new to this.
But I have seen nearly every city from a rooftop
without jumping.
I have realized
that the moon
did not have to be full for us to love it,
that we are not tragedies
stranded here beneath it,
that if my heart
really broke
every time I fell from love
I’d be able to offer you confetti by now.
But hearts don’t break,
y’all,
they bruise and get better.
We were never tragedies.
We were emergencies.
You call 9 – 1 – 1.
Tell them I’m having a fantastic time.
Aug 6, 2024
just found this track on spotify and i think it's just beautiful, speaks about extending yourself to someone and letting fear just be, not letting it control you but not suppressing it either. it really speaks to my life right now, trying to be genuine for someone without overwhelming myself.
--
Your fingers laced in mine like five tourniquets,
stopping empty words that flow from my empty nervous lips, your fingers like tourniquets.
I'm enjoying the silence like this, i can hear the sound of your lips as you read me Robert Frost.
And silence cross fades into a bliss that has stuck with me this week, the sound of Frost on your Lips, "Not Even The Rain" you say as you read me E.E. Cummings.
I read Kevin Fitzpatrick yesterday, he talked about reading poems to his partner Tina, she was moving to a farm in Northern Minnesota.
A tourniquet is that look that you give when you're right where you're supposed to be, and i know there's so many places to be. And i've never met someone who is at so many at once, even sometimes gracefully, even sometimes gracefully.
Gracefully, you tell me about New York, gonna see Bruce Springsteen on broadway, i kiss you in some Portland driveway, you say sorry for being so many places at once, you wanna feel grounded with me,
I say i don't wanna be your rock i want to be your sea legs
If you move on will you at least give me a five star yelp review so i can be friends with your friends, my collar for your tears, my sleeve for your snot, a bout of crying as you tell me about fear of loss and giving
which leads to loss
which leads to fear
making it hard to give
your fingers laced in mine like five tourniquets, stopping words that we'd forget, i won't forget that look that you give,
tie it above the wounds, i've had a rough month or two, you're like my sea legs. making out in some Portland Strangers driveway, gettin dizzy as we stumble the long way to my house, the feeling of motion as we lay still in my bed and you read me Frost and Cummings and Elliot, the feeling of motion as i lay still and you show me:
how to put a moment on a page, i hang some pictures up at my new place you light the sage, your spirits lift the room higher and higher i let some dire feelings of loosing you burn with the sage i put you on pages and pages of moments and moments
I got nothing to hide, you tell me about your friend Joseph who see's through peoples lies.
Sometimes you hid behind your eyes
making it much more potent when i see right through them, and i see right through them
I let fear of you moving on burn with the sage, i put silent moments of your tourniquet fingers on the page, and i listen to your breathing and the sounds of kids playing at the school across the street as we lay through the afternoon. My collar for your tears my sleeve for your snot, some happy crying as we leave behind fear of loss, only giving, which led me here, in your arms, without fail, over moments and moments, and pages, and again only moments which lead me here in your
Dec 25, 2024
✉️
Ok - maybe not a poem and I’m stretching the boundaries of this prompt, but it’s an excerpt I always come back to.
“I am sitting at my kitchen table waiting for my lover to arrive with lettuce and tomatoes and rum and sherry wine and a big floury loaf of bread in the fading sunlight. Coffee is percolating gently, and my mood is mellow. I have been very happy lately, just wallowing in it selfishly, knowing it will not last very long, which is all the more reason to enjoy it now. I suppose life always ends badly for almost everybody. We must have long fingers and catch at whatever we can while it is passing near us.”
Jul 1, 2024
Top Recs from @florinegrassenhopper
⏰
No screen Sundays. If I want to listen to music its CDs or radio. If I want to watch a movie, no I don’t. If I want to see a friend, I will make plans with them on Friday or Saturday to meet up. As a result, I read more, write more, and sit with questions like “did Citizen Kane‘s 50 year winning streak in the Sight and Sound critics choice survey end in 2012 or 2022? When did Stephen Merritt come out? Whats the etymology of Whitsun?“
This is something that I have practiced off and on for many years but I’ve been doing it every week since December and I love the way that it just allows me one day of true freedom and rest.
Jan 22, 2025
Mar 3, 2025
My calendar this year has 52 of these week at a glance pages but I don’t think that way. So, I've been inspired by Ross Gay’s Book of Delighs to start recording the little moments and sensations that bring me joy throughout the day. An analog pi.fyi, if you will.
heres some of what I have so far:
- Waking up to the sound of my upstairs neighbor‘s footstep. It sounded nostalgic. Felt like company.
- Strawberry jam
- feeling tender for strangers: their lips, nail colors, their small wrists. Thinking of all the lives we hold gently.
- A young girl bought an LP at the bookstore just before I left. She stroked its cover with love
- Green tiles —the mint shade always makes me think of Jancie
- Charlie’s little bop and punch dancing to some German language punk
- lunch with Katherine, curry Brussels sprouts
- small talk at the photo studio. The photographer's brother was named after their dad, stole his identity, bought jet skis.
Jan 13, 2025