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I have this historical tendency where the second I get the sudden unmistakable feeling that a home is no longer forever, I stop tending to it. Dirty clothes pile up, the washed laundry sits unfolded, clutter accumulates, and I no longer wish to decorate. I disengage because my future is no longer tethered to this place; I’m being pulled forward from elsewhere and it’s only a matter of time.
I apologize for my inactivity, my malaise; I tell them that I’m going through a rough time and struggling to fully function. I’m feeling burnt out after years treading water with a cinderblock tied to my ankle and I worry day and night about external forces beyond my control that threaten to sink us both. They tell me there’s always an excuse; that I’m perpetually miserable and dissatisfied; that I only care about myself.
Of course, I’m not the only person living in this house. They’ve long since absconded from their share of the duty to this space we inhabit together, and yet I’m the one who is accused of giving up.
Every week for a decade, I’ve been matching their socks into pairs, rolling up their underwear, and promptly hanging up their clothing fresh out of the dryer to prevent wrinkles from setting in—and they didn’t even notice. They told me they were perfectly happy rummaging through the laundry basket every day.
Sometimes they will wash my clothes—delicates tossed in with T-shirts, jeans thrown in the dryer and tumbled until they shrink—but nobody has ever put away my laundry but me.
Feb 21, 2025
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The sharp scent of rain tumbles clumsily in as you tease window-hinges wider with the pads of your fingers. A siren trails close behind, uninvited, sears your eardrums, dies off down the block.
Your neighbors are arguing again. Laundry, loans, lack of commitment… like yesterday, like the day before.
You think it would be suffocating to wrap yourself up in someone else’s sheets.
It’s five o’clock. Leaning against the sill and flicking the radio dial with one recently manicured nail, you tune into the local news. Roaring wall of static, then calm conversation between two anchors bubbling up through an old set of Panasonic loudspeakers.
You are feeling incomplete today, like yesterday, like the day before.
Rigatoni boils in the kitchen. You check the leftmost cabinet and find strawberry jam, unopened. You check the cupboard and look over a tub of tahini, a collection of canned soup, and a stack of pie tins. You check the counter, behind the cutlery. Finally, you check the fridge, ducking down to see only your own brown-eyed reflection in one last — now empty — jar of Prego. Your shoulders dip.
You slip on white sneakers, not-so-white-as-they-once-were. Why did you try to paint the front door? It is peeling now, ugly like a fledgling losing young feathers. Flecks of buttery yellow dapple paisley carpeting.
The great outdoors wait for you at the bottom of a cramped stairwell with twin light fixtures, both broken.
A sky like an old sweater is draped above Brooklyn, ready to wring itself out again at any moment.
Once around the block, rubber soles brushing damp cement, you walk briskly. At first you fling yourself against the humidity, then become self-conscious and adopt a slower pace as you near the corner store.
Two dollars, sixty cents. Like last week, like the week before.
You and I, we are looking down at our phones and stumble into each other, halfway home.
It is no one’s fault.
You recognize me from somewhere, you say, and feel like a bad person for lying. You have never seen me before in your life. I ask for your number.
That night you eat too quickly, knowing you’ll wish you’d saved some leftovers.
I come over once, then again.
We go out for dinner at tacky restaurants, where art deco posters from the nineteen-thirties have pinned themselves up in scattered flocks across worn-out drywall and the menu is printed with strange font on laminated placemats. The appetizer sample photos are unnerving; the bruschetta cowers like a scared animal awash in excessive camera flash. I make a joke about it, and you laugh.
We order dishes to share. The food is always better than I expected, but not quite as good as you wanted it to be.
You don’t mind.
We talk for hours.
We agree, ballpoint pens are better.
I hold you, and the ten p.m. bus pulls you out of my arms and through the dusky streets, past crowds and utility poles.
I hold you, and we rhyme our steps. Burgundy is around us in the leaves and in the dirt. You wear a coat I gave you.
I hold you, and we swat flies out on your porch. The days are getting shorter.
I hold you, and we watch blu-ray CDs you found on sale. Soft light from the flatscreen plays across your face as you fall asleep. I keep the movie on a little longer.
I hold you. In December, we bring a blanket to Long Island and listen to the sound of snow falling on the dunes.
You call in sick for work too often.
I hold you, and you know my callouses well.
We share the same sheets; we are wrapped up in each other.
I hold you, and kiss your hair.
You smell like candied oranges.
The afternoons eat away at one another. Dishes pile like uneven layer-cakes in your kitchen sink, crested with suds.
You say you feel uninspired.
Now we argue about laundry, and the sounds of your unhappy apartment are heard through half-open windows.
You shout, eyebrows furrowed like the pages of a book. A white plate soars from the grip of a trembling hand, misses an upturned chin, and interrupts us with its shattering.
This time, it’s different.
Sleep escapes us ‘til the sun is already planted on the easternmost rooftop.
I hurt you the way I learned to, and stay awhile, but don’t know why I stay.
We sink into sweet, heavy things: the saxophone in “Charcoal Baby”, shared creamsicles on hot Saturday evenings.
I see you less and less, and remember less and less of you.
Will I see you next week?
Yes, if you text me.
You forget,
just like we’d both hoped.
Sep 17, 2024
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The light fixture, modern,
brightens the old cracks in our ceiling.
Popcorn walls, chipped , lead paint.
Our sink spits out our upstairs neighbor’s breakfast. Sometimes eggs but usually pancake mix.
Their water drips down on us through those
same cracks while we shower.
We have beets in the fridge from
far too long ago.
The stains look like blood and we’re only 20
with a stained fridge.
I could clean up the beets and we could have new beets.
We feed their cat that visits us while we hang
our sheets to dry.
We have ugly pillows on a nice couch.
It used to be my moms.
We have a wood table with rings, drawings
and signatures from when we were 5 -
because we don’t have coasters yet.
Maybe we’ll make a home here -
but I go outside instead, because
things are better out here
and there are no cracks above me.
Sep 17, 2024
I hang your jackets in my closet like trophies, or maybe like warnings. I don’t know which. I don’t wear them. It’s far too hot — sticky, oppressive heat that clings to the skin like regret — but I keep them there, row by row, like memory has a dress code. The scent is gone now. That clean, clove-sweet sharpness you always carried. Still, I walk past them every day. I make myself look.
It’s supposed to mean something. All of this. I keep telling myself I’m meant for something bigger — to make a name for myself, they always say — but what name? The one I was given, or the one I’ll have to carve out with blood and trembling hands? Fifty-five years. Fifty-five steps to the top of the hill, up to that damn library where I’ve been meaning to go. Where I keep meaning to go.
And yet. I don’t move.
My legs work. I know they do. They carried me through worse things — war zones of the heart, ancestral curses, kitchens full of shattered plates. But I still can’t make them climb. I don’t know if that makes me weak or merciful. I don’t know if it’s sabotage or a mercy I don’t deserve.
A dog that weeps after it kills is still a killer. A dog that weeps is still a dog.
Your guilt won’t make you holy. Your regret won’t make you clean.
So I ask: when you see a butterfly land on lavender — that momentary grace, delicate and impossible — do you still spell my name in your head, as if that might bring me back? As if I ever left?
May 28, 2025
Top Recs from @taterhole
My dad teases me about how when I was a little kid, my favorite thing to do when I was on the landline phone with somebody—be it a relative or one of my best friends—was to breathlessly describe the things that were in my bedroom so that they could have a mental picture of everything I loved and chose to surround myself with, and where I sat at that moment in time. Perfectly Imperfect reminds me of that so thanks for always listening and for sharing with me too 💌
Feb 23, 2025
May 28, 2025
🖐
I’ve been thinking about how much of social media is centered around curating our self-image. When selfies first became popular, they were dismissed as vain and vapid—a critique often rooted in misogyny—but now, the way we craft our online selves feels more like creating monuments.
We try to signal our individuality, hoping to be seen and understood, but ironically, I think this widens the gap between how others perceive us and who we really are. Instead of fostering connection, it can invite projection and misinterpretation—preconceived notions, prefab labels, and stereotypes. Worse, individuality has become branded and commodified, reducing our identities to products for others to consume.
On most platforms, validation often comes from how well you can curate and present your image—selfies, aesthetic branding, and lifestyle content tend to dominate. High engagement is tied to visibility, not necessarily depth or substance. But I think spaces like PI.FYI show that there’s another way: where connection is built on shared ideas, tastes, and interests rather than surface-level content. It’s refreshing to be part of a community that values thoughts over optics.
By sharing so few images of myself, I’ve found that it gives others room to focus on my ideas and voice. When I do share an image, it feels intentional—something that contributes to the story I want to tell rather than defining it. Sharing less allows me to express who I am beyond appearance.
For women, especially, sharing less can be a radical act in a world where the default is to objectify ourselves. It resists the pressure to center appearance, focusing instead on what truly matters: our thoughts, voices, and authenticity. I’ve posted a handful of pictures of myself in 2,500 posts because I care more about showing who I am than how I look.
In trying to be seen, are we making it harder for others to truly know us? It’s a question worth considering.
Dec 27, 2024