Related Recs

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crying during movies

any movie. last night i cried during The Accountant (2016) where Ben Affleck plays an autistic (major plot point) accountant slash super soldier assassin and it felt really good.

@bea

Nov 22, 2023

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Kino korner - blackberry

This movie perfectly scratched the useless niche-information quadrant of my brain. Right above where the lobotomy scraped the feeling out of my frontal lobe. This was really good dude! Like, not my favourite rise-and-fall business biopic, but a really solid entry into that world of movies. Best way I can describe this movie is “The Social Network: An Amazon Prime Original Movie”. Like it’s good, it ain’t winning any Oscars, but if I saw this on TV I’d be like “aw hell yeah dude this movie’s great!” It’s so interesting how this monolithic company which once controlled 45% of the smartphone market essentially shat the bed so hard the bed snapped in half, folded in on itself, and flattened the shitter like a pancake. Part of it was corporate greed, for sure, but a fair whack was just bad luck. Imagine having the biggest status symbol in the world, only for some turtle-neck wearing dickhead to turn around and say “nah I’d win” and completely body you in the span of an hour. If that sounds like your cup of tea, watch this movie. The plot moves at a good clip, and it kinda reminded me of Steve Jobs, using three distinct periods in the companies history as the backdrop for each act. I will say that the start and end were easily the more interesting parts. At the start we’re watching a bunch of sweaty nerds crack the code of innovation, montages and needle drops galore. In the end we’re watching a multi-national corporation in a desperate attempt to sink its teeth into anything that’ll bleed, even if that means feasting on their own flesh. The middle is more about the slow corruption, the way that lofty ideals start to fall apart in the face of adversity and the desire to be the best. It’s interesting, thematically and narratively speaking, but the real meat and potatoes are those opening and closing acts. *puts on beret* This movie is a sound critique of capitalism, BUT NOT FOR THE REASON YOU THINK DEAR READER! Yes, this is about a company that started in humble origins and means only to blow up and become perverted by sweet sweet money, but it’s more than that. When a late-stage capitalist structure defines business success as “profit line goes up”, anything less than resounding profit is concerning if not fatal. What starts as a homegrown effort ends up outsourced, quality abandoned for quantity, SUPPLY AND DEMAND BUY BUY SELL. And hey, we all know this. You been to McDonalds recently? Big Mac my ass, that shits a Medium Mac AT BEST. I digress. While that factor is certainly touched on here, I also think it shines a light on the sort of person that world attracts. It takes a special kinda of bastard to run a BlackBerry, and those bastards all share a vice in pride (not the sucking-and-fucking fun kind either). You combine this personality type that needs to control, to dominate, to be the big swinging dick, with an unforgiving system that reduces accomplishment to “does the line go up?”, and you end up with a company that changes the world and implodes within a decade. Hmmm maybe the system is flawed… nah, me want Big Mac. Stand out performance from Glenn Howerton, he is after all a Five Star Man. There was a feeling here that he’d just play Dennis from Sunny, only now in a suit, but his performance had subtle differences. Explosive, abusive, untethered, but doing a much better job of keeping the lid on. Jay Baruchel also did a very commendable job, taking a character from a weak-chinned autistic-coded savant who can’t hold eye contact for the duration of a swift fart, all the way up to a frazzled, desperate businessman grasping at straws to keep his kingdom from sinking into the sea. Final Rating - 3.5/5 Stars Watch this if you like - The Social Network, Steve Jobs, The Founder, The Big Short have you seen this movie? what did you think? let’s talk about it

@baileymakes

Jan 17, 2025

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MOVIE REVIEW: AMERICAN FICTION

As far as material for satire goes, the literary world is pretty low-hanging fruit, perhaps only bested by fine art collecting. Still, when the jokes are as on point as they are in American Fiction, it can make for very satisfying viewing. Writer / director Cord Jefferson (who has previously written for The Good Place, Watchmen, and Station Eleven) does an excellent job of capturing the essence of Percival Everett’s novel Erasure, the experimental structure of which would make a successful adaptation seem unlikely. Author and professor Thelonious “Monk” Ellison (Jeffrey Wright, eminently watchable as always) is known for writing acclaimed but poor-selling novels and is growing frustrated by the lack of interest in his latest effort from publishers, who dismiss it for not being “black enough”. On top of that, he finds himself placed on leave from his university and then dealing with a series of crises with his family. One bright spot emerges however when a chance encounter with neighbor Coraline (a charming Erika Alexander) promises to develop into something more. One night after a few drinks, Monk knocks out what he intends to be a satire of the stereotypical “Black” novels the public seems to want featuring high melodrama, broken families, gang violence, and written in an over-the-top “ghetto” vernacular. His agent reluctantly agrees to send it to a few publishing houses under the pseudonym Stagg R. Leigh, allegedly a former convict, and much to their surprise he is promptly offered $750,000 for the book. In need of the money, he accepts and plays along with the ruse, occasionally even playing the role in person, but he can’t help but feel guilt for selling out himself and his people, and so makes attempts to sabotage the whole deal and risks damaging some personal relationships along the way. The movie oscillates between being a razor-shop literary satire and a family dramedy in the vein of Something’s Gotta Give or As Good As It Gets, to surprisingly enjoyable effect. Tracee Ellis Ross, Sterling K. Brown, Leslie Uggams, and Myra Lucretia Taylor delight as Monk’s sister, brother, mother, and long-time family housekeeper respectively, with the group displaying a genuine chemistry in their scenes together. Likewise, the budding romance with Coraline feels natural and comfortable. It’s when it takes its claws out though that American Fiction really rises above. Anyone who follows the book world will instantly recognize what Jefferson and Everett are targeting here and will find themselves laughing out loud at every bullseye hit. It isn’t the flashiest movie, but it’s a clever and engaging look at a specific part of American culture that never forgets to entertain its audience. ★★★★ RATED R FOR LANGUAGE THROUGHOUT, SOME DRUG USE, SEXUAL REFERENCES, AND BRIEF VIOLENCE.

@seanf

Feb 22, 2024

Top Recs from @royallmonarch

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DETACH from the algo, become an active participant in your own curation, form relationships to music, track your patterns

I consume a lot of music regularly, and a huge part of keeping a fresh diet of new listens going is having enough sources of recommendations that aren’t an algorithm that either 1) reinforces your existing listening patterns, keeping you stagnant in your tastes, or 2) platforms whoever paid enough to push their product to the top, serving you something that may not inherently be of inferior quality, but may not align with your tastes, may not be exciting beyond just being a new release, and realigns your current listening habits to be more in line with what the average user on the platform is also listening to — which socially might have benefits but which creates a homogeneity of consumption that can become bland since you’re listening to something really just because it’s the next product on the assembly line to have its public moment and not because anything about the music actually captured your attention. the current landscape of streaming is designed to keep you at an all you can eat buffet where you take what’s served to you, and as a result a lot of us have forgotten how to look at a menu and order. so what does taking a more active role in your own music curation look like? for me, it’s meant not using streaming as a primary listening platform. I mostly use my local Apple Music library on my phone that I curate with the vestigial iTunes Library framework that’s still a part of Apple Music on my laptop. probably going to find an alternative soon since apple seems to be cutting integration progressively. I like this method because it forces me to choose what to sync to the limited storage space I have, forcing me to take inventory of what I actually listen to and what I can offload. the files I get are mostly from Bandcamp or Soulseek depending on whether it’s available for purchase or entirely unavailable online (as is the case for a lot of electronic music that was on vinyl only, which is where soulseek comes in clutch). I also have freedom here to change the ID3 tags to better sort and organize, rate, change track info, and track my own listening data. Bandcamp and other music purchasing platforms are great because 1) it reshapes my relationship to music away from consumerism and back towards curation. I have to pay actual money for this thing now if I want to use it, so i’m forced to consider its value (usually i’ll stream a release first to gauge my interest). 2) having to spend money helps me to course out my meals so to speak, as i’ll buy a few releases i’ve accumulated in my cart over the month and cash out on Bandcamp Friday when 100% of my money is actually getting to the artist (TOMORROW IS BANDCAMP FRIDAY BTW!!!), and between purchases I can actually chew and savor and digest my last orders, they don’t get swept up in the deluge of new releases. my plate is full until i’m done and then I order more. also for the times of the year like now when new music isn’t coming out as regularly I take time to find older music that I would normally overlook while keeping up with new drops. currently very into early 80s/late 70s music with early digital production, kinda stuff that would evolve into synthpop and dance music. so how do you know what to order? for me, I’m getting recs through trusted curation platforms. whether it’s bandcamp daily, y’all lovely folks here on PI.FYI, friends, or most importantly musicians who I follow on socials that share their tastes through posts, stories, playlists on steaming, interviews, etc. I like this last one especially because it’s kind of like a musical game of telephone. if I like an artist and they share their interests and influences it’s like every layer in this process is stretching my palate further from the sound that I was originally interested in and into a new territory that has some shared DNA but would never have been recommended to me by an algo because there’s no shared category or label between them, only the musical influence and interpretation of it made by the artist. as an example, I was a huge Skrillex stan, he signed KOAN Sound to his label, they collab with Asa who collabs with Sorrow, Sorrow takes huge influence from Burial, Burial makes some ambient adjacent stuff and takes huge influence from 90s rave music and drum and bass and 2000s rnb, now i’m listening to Brandy - All in Me, William Basinski, Aphex Twin, none on whom would get recommended by Spotify to me from Scary Monsters and Nice Sprites. LAST thing i’ll say — because in yappin about this i’m realizing how actually passionate about this subject I am: MAKE LISTS! playlists are cool, but they can flatten your music into vague categories of “vibes” and “aesthetics” and encourage picking one-off songs from artists that you never form an active audience relationship with. I make a practice of making my own year end lists of top 25 albums (plus some honorable recs and top individual songs) and keeping them in a notes doc that I regularly update and rearrange over the course of the year. this forces me to consider the actual relationship i’m forming with what i’ve ordered for myself. did I like it in the moment but it didn’t have staying power? is it slowly growing on me? it also encourages taking albums as a whole. maybe I liked one or two tracks a lot but the rest wasn't resonating. that’s ok! maybe I rank it lower but now i’ve actually taken time to consider it, it’s in my library, and maybe (quite a few cases for me) something I ranked like bottom 5 albums becomes a retroactive favorite from that year as my tastes evolve. also 25 albums to take with me from each year is really more than you'd think, i struggle sometimes to even find 25 that I formed a true connection with. I think the biggest thing the itunes era ruined that led into now is the single-ification of music, the ability to separate the hits from the deep cuts. albums are meant to be taken as a whole, and then once you've really sat with the whole you can find what actually stuck. even then I like to keep the whole around because soooo often i’ll write off a track that yeeeears later I come to love. trust the artist, they made it like they did for a reason. aaannyyyywayy TLDR: get recs organically, be more active in deciding your listening patterns, fr*cken pay artists yall, trust the artist embrace the album, really consider what you consume

@royallmonarch

Feb 29, 2024

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be the change you want to see

i’m not gonna go into the state of politics in this country, frankly I enjoy that this site has been a politics free space for the most part. with that being said, resigning to despair and the feeling of powerlessness serves only the status quo. inaction is not the solution, nor is waiting for the government to be what you want it to be. politics over: here’s the rec be the change you want to see as much of a cliche as this saying is, i’ve grown to believe in it with my full being as i’ve gotten older. for the things you have control over, for the practical needs that you can meet within your community, for the little things you can do every day to ease someone’s burden or generally be a pleasant interaction in someone’s life: bring to the world what you feel it lacks. where you live there are likely already communities that are arising to support each other and call for change. seek those out if that’s a motivating notion for you. participate as much as you are able and as little as you please, every bit counts. being a visible and tangible example of how the agency we all have can create something better will motivate others to find their voice. a lot of people feel like you, but even a few in action is better than multitudes in despair. community is so key, and the world we live in has created a situation where isolation is the default so that individuals are forced to rely on the market or the state to meet their needs. how much better would it be to have neighbors and friends as a support network, mutually exchanging their time and resources to strengthen the communtiy and invest in relationships that benefit the whole. the moment we all realize that we can do for each other what the world tells us we need to do ourselves, the stronger we will be and the more we can come together and enact real change from the bottom up, rather than being divided in pleading for a top down approach. this may sound revolutionary because we have become so detached from community that we cannot envision the changes in our model of living that would have to be made, but it’s sooo not that deep, and it feels more like investing in the good in others than sacrificing personal comforts. it can look like: - shopping at a local business vs a corporate chain, get to know the staff, get to know your fellow patrons - spending time with friends, there doesn't need to be a reason or occasion. make meals together, drive together to go do something, maybe literally just be in each others presence as you do daily life, share each others sacred presence amidst the mundane - give things you don’t need to a friend who does, exchange clothes, exchange favors, share knowledge and resources, lend a skill or a craft, donate things if you don’t know someone who can use it, exchange things and experiences without the need for monetary incentive - create things together, make art together, share and exchange media, try things for the joy of experiencing them without the need to be “good” at it, - grieve together, worry together, talk out negative feelings, commiserate, support, encourage, motivate, share your accomplishments, celebrate together - get to know your neighbors, why is everyone in isolation while in such proximity? - get off that damn phone if it makes you feel bad, you wont miss out, the world happens outside of it, unlearn FOMO - enjoy nature, go on walks, get outside, sweat and run and jump and see the sky - remind yourself that life is about what happens right now, don’t be concerned with what could be or what was if you are unable to affect it in the present. - go to a concert at a small venue for an artist you’ve never heard of, bring friends, don’t preclude experience for the perceived necessity of entertainment - unlearn grindset, but also unlearn bainrot. don’t fester in your down time. rest can be active, activity can be restorative. your time is precious and you will meet your need for purpose and direction by literally choosing to pursue a “meaningless” hobby in even what little time you may have vs scrolling and taking psychic damage. - learn to enjoy the abundance of freely available joy in this world, we have been tricked to believe that money is the sole provider of a happy life idk i’m just becoming mindful of what brings me life in this world and so much of it is available to me solely by seeking it out instead of idleness in my free time under the guise of “rest.” so much if it comes from seeing the divine in others and creating bonds and relationships and support networks. so much of it comes from enjoying beauty and art, and moderating and savoring that experience vs endless consumption and media gluttony. the world through a screen is bleak, the world in front of your eyes can be beautiful, the system is broken but you and everyone you know has some untapped agency. anyway imma get off my soapbox, go catch a firefly or sit around a campfire with the homies. you’ll be glad you did.

@royallmonarch

Jun 29, 2024

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deleting hinge

not because you met someone or anything but because you take psychic damage every time you doom swipe on there and you probably never liked being on there in the first place and why does everyone seem to have a wack helen keller take and feel the need to put that on their profile like it’s cute?? time to do it the old fashioned way and mix and mingle at the sock hop or however our grandparents did it. after all, you just being around and living life is gonna be a better pitch for why someone should date you than those same 5 photos and your two-truths-and-a-lie prompt.

@royallmonarch

Feb 22, 2024