Related Recs

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Tate mcrae - dear god

I feel the same way most people feel about her. Something’s missing but she’s almost there. I enjoyed this album more than I thought I would. Shoutout to the producers because the production is great. Been running this one back the most.

@ion_know_

Mar 18, 2025

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dim by yves

From her 2nd EP ‘I Did’ ! The outro!!!! It’s currently starting to trend on some corners of social media but even upon first listen I was just stunnneddddd. It’s a reminiscent, longing feeling that is evoked from it. You feel like the reel of your life is being played in front of you. Yves is an all time artist to me and I’ve been following her since 2017, and her new solo endeavors have been amazing, I know that this is the year she skyrockets into fame. Love her!!!

@shoegazer55

Mar 7, 2025

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erika de casier - still

loved her first two records, this one came out on 4AD and she sounds better than ever. blends a lot of the best 2000 rnb sounds like aaliyah and ashanti with her own thing going on

@dakotablue

Feb 21, 2024

Top Recs from @gnomes

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HANDMADE POSTER MAKING

Really adds texture and personality, i’ve been inspired a lot by twee and mod culture recently and i find these posters really fun and exciting.

@gnomes

Apr 8, 2025

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16mm Film development and hand processing

Alright here’s a quick look at hand processing 16mm motion picture film. The stock I shot for this film is called Kodak 3378, it’s a high contrast black and white reversal film stock, which basically means it doesn’t develop as a negative but as the actual viewable image. The process of “hand development” is an interesting one. First 100 ft of film are loaded into a light proof tank. The chemical process I used is called E6 and it consists of a few steps that can be performed at room temperature: first developer, second developer, rinse, bleach, fixer, photoflow. Exposing the film to these chemicals four particular times results in the final image. This step is the rinse, the 3378 stock is the slightly purple film. Hand processing creates strange patterns and aberrations, disturbances created by a process that is inherently imperfect. It allows the artist to play with the parameters of 16mm image making but maybe more importantly, its results are a direct effect of the artist’s hand on their work. This is why we shoot film in a digital world: it’s something we can physically affect as true human beings.

@gnomes

Mar 19, 2025

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Behind the scenes of 16mm short film

I thought I’d delve a little into the behind the scenes of a personal film I’m working on. I’ve been a type one diabetic for about fifteen years and have become recently obsessed with creating a film about the American medical system. I aim to capture the feeling that the medication that provides you with the ability to exist may one day be taken away, or not covered, or not delivered in time. I deal with the insulin saga every month, and while it may be an extreme example, I think many Americans live in similar situations. That‘s the context. What I really want to delve into is the process of creating 16mm imagery, from shooting to developing, to editing. This is what our rig looked like when I decided to shoot a few months worth of the disposable needles I use to inject. I wanted to create an in camera “split screen” effect. To do that, I covered three quarters of the image plain and shot through my film. Then, I’d rewind and adjust my matte to expose one of the remaining quarters, doing so until I had a complete image. I’ll go a little more into the film stock when I talk about hand development :)

@gnomes

Mar 13, 2025