A cursory google search informs me that this album received some critical acclaim which comes as a surprise to me because when I saw them on tour to support this record there may have been fewer than 20 people in the audience. Regardless, I think this is one of the best albums to emerge from the emo revival era and has had more staying power in my library than even the best of The World Is a Beautiful Place, who were arguably the kings of the scene at the time. Very likely this is no longer an interesting or deep cut because I have grown old and irrelevant but I am (almost) alone amongst my friends in my love of post 08 emo so I’ll continue to insist that this album is underrated (lol)
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Apr 4, 2025

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One of the greatest emo records of all time to be honest, straight from the nowhere land of New Hampshire. This is one I'd much rather recommend than explain, you'll just wanna put on your favorite headphones and doze off into the sounds of this incredible record. Highlights include: Pile! No Pile! Pile!, Can't Run Away, and Orange, with Blue Stripes.
Dec 29, 2023
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one of my fave dead-of-winter alt rock albums. melancholy guitar tone and sort of disconnected, disinterested vocals. my top tracks are window seat, smother and winter fog. i’ve also always just loved the album art. (the band’s old name was papergirl and they still appear as such on apple music).
Feb 21, 2025
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đŸŽ¶
By 2010, indie music was looking like it was turning away from a series of regrettable choices; dead bands walking, basically. Then Halcyon Digest came along and reclaimed the joyous nostalgic highlights of the decade that had gone before in a captivating sonic capsule of subdued celebration. This album still reaches out to me from the slumber of an era in tentative transition - a beacon from a pea soup fog. The youthfulness of old was suddenly paired with the magnetism of experimentation and the result was a scintillating salute that tore the banality surrounding it to shreds. It also contains some of frontman Bradford Cox’s best compositions: the molasses memory stick “Earthquake,” the deceptively jaunty “Revival,” the almost-Vampire Weekend old/timeyness of “Helicopter,” Cox’s tribute to the late Jay Reatard “He Would Have Laughed” and the band’s best song and bid for pop greatness, “Desire Lines.” Cox described the LP’s title as “a reference to a collection of fond memories and even invented ones, like my friendship with Ricky Wilson or the fact that I live in an abandoned victorian autoharp factory. The way that we write and rewrite and edit our memories to be a digest version of what we want to remember, and how that's kind of sad." The past is still with us, just in re-remembered and sometimes wholly invented form. A masterpiece that I wish more people immediately tagged as such. 10/10, no notes.
Dec 11, 2024

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