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@LIVCASHMONEY your parents [Saw] a [Spirit] in your [Home] but she was chill. Her being chill inclines me towards 4. [Communion]. Communion corresponds to Mercy in Qabalah, or the four Fours in the traditional tarot. The spirit was not hostile but accepting of your parents. 0. Spirits corresponds to the element of Air, something light, transient, largely mental. Spirits wandering earth are marked by usually very intense emotional and mental states, dwelling on their past lifetime or unfinished business, very Airlike. See also The Fool of the traditional Tarot 16. Home relates to the planet Mars, it is something sturdy to be defended, and a paranormal encounter in the home can be some of the most frightening. See also The Tower in the traditional Tarot Sighting relates to the suit of Wands or Clubs. Sight is among the most important of the senses for a paranormal experience. How do you ā€œseeā€ a ghost? In the same way you see a tangible object? Or more like a dream? The suit of Wands/Clubs relates to the element of Fire; what illuminates.
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I think ghosts are energy that lingers over time and, if it’s not cleared or amplified, it can be made manifest. Not to be metaphysical—I see the clutter that arises out of hoarding in the same way, but that’s a whole other can of worms. Houses, especially those steeped in history, are inherently liminal spaces—they exist at the threshold between the past and the present, the seen and the unseen. We were once afraid of the darkness in the open expanse of the wilderness at night, and now the darkness is contained with us within four walls. You don’t know what’s going on in those four walls until you’re inside and staying there for a while, whether it’s an overnight stay as a guest, a lease with a fixed term, or a long-term purchase. Mark Fisher’s concept of the weird captures this unease perfectly. The weird is that which feels out of place—an energy, an object, or a memory that doesn’t belong but refuses to leave. Houses are often full of these anomalies: a creaking floorboard, a shadow in the corner of your eye, a strange layout that never quite makes sense. These small dissonances accumulate, creating an atmosphere that feels uncanny, as though the house itself is alive and aware of your presence. The trap of the house is also deeply modern. Once you discover its unsettling secrets, you have to stay there, tethered by responsibility and the cost of leaving. The house becomes a site of entrapment—a perfect example of Fisher’s liminal, where you’re stuck in a space that isn’t quite safe but isn’t immediately escapable either, with whispers and presence making themselves known to you from out of time. If this resonates, you might enjoy my autobiographical contemporary gothic story about living in a house that used to be an old maternity hospital (pictured), where I explore these feelings and ideas. You can read it here: Haunting.
Dec 28, 2024
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my childhood home was haunted by the ghost of an old woman who died there before we moved in. my parents both saw her and didn’t talk about it till after they moved (she was chill). they also didn’t tell me till i was an adult
May 7, 2025
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For me, it would be the idea that the home is meant to be your safe space & things happening to threaten that frightens everyone. We don't like the idea that our safety can be compromised; especially by something like the occult or ghostly which we can't understand.
Dec 28, 2024

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study the folklore and myth of your actual local region. live your daily life under the logic of fairytales. communicate as heavily as possible in proverbs and riddles. humans are a storytelling creature and there is a reason these archetypes and motifs appear to humans across times/cultures/places
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