there's something so beautiful and exciting about film cameras/super 8 that doesn't let you see the "results" immediately and leaves you sort of wondering how the captured moment really turns out
RIP your wallet if you're developing super 8, holy shit it's expensive. But yes, the delayed gratification really is the selling point of film photography for me. Slow down your lifeeeee
beyond the textural, chromatic properties you just can’t replicate digitally, there is something so magical about the ephemerality, surprise, and delayed gratification. with a limited number of frames per roll, you have to be discerning with your attention to choose what you’ll shoot. having to wait and discern how you’ll fill the roll means sometimes I forget what I’ve captured or it develops in a way I could never have predicted, like when the lighting is such that i unintentionally include a self-portrait in shadow. it reminds me of how weekly releases of tv shows have returned to shake me from a binging stupor and help me experience something collectively. i’m learning I don’t want or value convenience or instantaneous results or perfection in life; I want grain, light leaks, limits, truth.
Sending your film out and waiting patiently for the moment when the negatives arrive and you get to look through the frames in the daylight. Even then, you aren't really sure what they'll look like when they're scanned in, but it's fun to recall the memories you may have forgotten about if the roll was in the camera for months before that. The final task of scanning isn't always fun, but it can be meditative in itself as you see each image come to life one by one.
expensive nonsense but connects you to the photos more. breathes life into them. something to make images seem less disposable in an era of taking a picture of anything and everything