I first met Sinna when the New York Times sent him up to Montana to photograph me for a piece during the pandemic. He spends most of time doing documentary photography and photojournalism, and was in the middle of covering the Sturgis Motorcycle Rally when he got the assignment. I feel like he brings a fly-on-the-wall, investigative quality to his portraits, and a portrait-like staging to his images of plane spotters, Met Gala afterparties and Las Vegas architecture. I’ve always aspired to collide mainstream and underground approaches, but he makes it look effortless. His instagram is also a constant stream of fascinating candid clips and observations.
