Figured I recommend a deeper pop cut. The original version of this great, Robert Palmer turned it into something terrifying and Jam/Lewis went crazy on the production again.
3d ago
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Acoustic guitars! What?!? I’m pretty sure that very early teenage me thought this intro was amazing. So when the Electric Guitar and Drums enter, they do so with Aplomb. To put it mildly. The guitar is HUGE. The riff is HUGE. All Of This And Nothing - the band’s most ambitious piece, at that juncture. 6 minutes 23 seconds.
A phonebook full of accidents
A girl to drive your car
A suit to wear on Mondays
And a coat a magazine
A heavy rain a holiday
A painting of the wall
A knife, a fork and memories
A light to see it all
You didn't leave me anything
That I can understand
It’s pretty great, really great, and then, well, it doesn’t *quite* deliver the money shot.
Hey, I never meant that stuff
I want to turn you round
But then the final, excellent conclusion
Now I'm left with all of this
A room full of your trash
Maybe a touch too much sax, but lovely.
The band that refuses to be a rock pop band makes an almost perfect rock pop album.
I'm pretty sure my first band started almost right after this. I couldn't play for shit, but then, I didn't NEED to.
Jun 6, 2025
A grotesque, unsettling musical picture of chaos, massacre and lunacy. There were some years since it was released (1980) where I couldn’t listen to it at all.
It's maybe the most unlikely opening track of an album I've ever heard (despite Ian Curtis' repeated chorus: "This is the way, step inside"). It's based upon a 1970 J.G. Ballard collection of short stories of the same name, which imagines a name-changing protagonist who creates surrealistic fantasies about celebrities such as Marilyn Monroe and President Ronald Reagan.
One of the first times in recorded music (long before bands like R.E.M. made a regular practice of this) where I can recall band members swapping instruments; guitarist Bernard Sumner plays bass on the track, bassist Peter Hook "plays" guitar (it's basically one long, wobbly noise scribble).
Super disturbing. I'm always amazed that the band could even pull off a live performance of it. Impossibly influential; you can hear the outline of the Cure's "Pornography," the Swans' catalogue, and much of whatever became to be called "tribal" in the DNA of this track.
Sep 22, 2024
I looooove this song, always have. Robert Smith snapped and they recorded some pure exotic, sinister, and cinematic vibe concentrate here. It’s not the typical Cure dark and kinda sadsack longing style, this actually feels like it has some danger and menacing to it and it makes it what it is!
Nov 11, 2024
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Even if you end up having to go somewhere else, there still will be culture to get involved in, people to meet, things to learn, realizations to be made. All of that is still right there for you and it will be open in a way you won't even realize until you've done like a year or two. So it's truly still exciting times. As long as you feel generally good about the place you ultimately choose, your time is coming.
Mar 26, 2025
May 16, 2025
Completely missed this performance, just harpsichord and Bjork alone transforming a club song is crazy.
May 30, 2025