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ROOM

My room is a corridor of doorways. Not a space, not a shelter, but a network of half-thoughts and abandoned exits. The floors reek of piss, like some wild dog marked its territory and then left me to rot in it. The walls pulse with memory. Or maybe delusion. Either way, it’s loud in here. Thoughts swarm like ants — frantic, mindless, pathetic — all scrabbling for something to hold on to. Information. Meaning. But there’s nothing. Just famine. Starvation of sense. A thousand tiny legs searching for crumbs in a house that hasn’t been fed in years. And every day the sky breaks open again. Not metaphorically. The rain here isn’t poetic. It hammers. It devours. It doesn’t cleanse; it drowns. The ants drown, but they don’t die. They keep moving, twitching, twitching, twitching. Not alive. Not dead. Just full of guts and nerves and the viscera that keep them twitching. That hard carapace we all grow when the storm doesn’t stop. That’s all they are. That’s all I am. Sometimes I think I’ll dig my way in. Crawl through the iris of my own eye — molecular, meticulous — and enter the network of my brain like a savior. A surgeon. Maybe a god. Maybe I’ll find the ants and teach them how to be more than twitching muscle and damp despair. Maybe I’ll name them. Maybe I’ll give them something like hope. But dry drowning is real. No matter what they say. And the terrifying thing is — there’s no evidence it isn’t.

@baixwar

May 27, 2025

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JUST

Even if you don’t care, you should. Because I’m not just anyone, I am an angel crowned in thorns, lying in a bed of roses made red by blood, not perfume. I am divinity, endless, the echo of something ancient and unstoppable. I am what you’ll never be, not even in your wildest, most heretical dreams. And as I braid your name into my hair, strand by strand, knot by knot, the spider watches, indifferent, complicit. This world used to hum with magic. It used to dance, whimsy curled in every corner like smoke. Now? It’s been hollowed out. Gutted. Repackaged with a barcode and sold to the highest bidder. Corporate hunger wears a smile and a suit, and no one sees the blood on its teeth. The cats? Starving, skeletal kings of back alleys. Forgotten monarchs. They eat the mice. The mice eat the spiders. And they all twitch with parasites because no one cares about the bottom of the chain. That is the cycle of life. Filthy. Unpoetic. Brutally efficient. And all I want, all I need, is a handful of holly berries, real ones. Fresh mistletoe, not plastic-scented lies. But the markets don’t carry them anymore. The shelves are full of boxed sweetness and corporate sugar. Because they know. They know what I could make with the real thing. The concoctions. The power. The truth. So they ban the berries. Burn the mistletoe. And you? You sit there like the spider, watching.

@baixwar

1d ago

🍽

date idea

The sharp scent of rain tumbles clumsily in as you tease window-hinges wider with the pads of your fingers. A siren trails close behind, uninvited, sears your eardrums, dies off down the block. Your neighbors are arguing again. Laundry, loans, lack of commitment… like yesterday, like the day before. You think it would be suffocating to wrap yourself up in someone else’s sheets.  It’s five o’clock. Leaning against the sill and flicking the radio dial with one recently manicured nail, you tune into the local news. Roaring wall of static, then calm conversation between two anchors bubbling up through an old set of Panasonic loudspeakers. You are feeling incomplete today, like yesterday, like the day before. Rigatoni boils in the kitchen. You check the leftmost cabinet and find strawberry jam, unopened. You check the cupboard and look over a tub of tahini, a collection of canned soup, and a stack of pie tins. You check the counter, behind the cutlery. Finally, you check the fridge, ducking down to see only your own brown-eyed reflection in one last — now empty — jar of Prego. Your shoulders dip. You slip on white sneakers, not-so-white-as-they-once-were. Why did you try to paint the front door? It is peeling now, ugly like a fledgling losing young feathers. Flecks of buttery yellow dapple paisley carpeting. The great outdoors wait for you at the bottom of a cramped stairwell with twin light fixtures, both broken. A sky like an old sweater is draped above Brooklyn, ready to wring itself out again at any moment. Once around the block, rubber soles brushing damp cement, you walk briskly. At first you fling yourself against the humidity, then become self-conscious and adopt a slower pace as you near the corner store. Two dollars, sixty cents. Like last week, like the week before.  You and I, we are looking down at our phones and stumble into each other, halfway home. It is no one’s fault. You recognize me from somewhere, you say, and feel like a bad person for lying. You have never seen me before in your life. I ask for your number. That night you eat too quickly, knowing you’ll wish you’d saved some leftovers. I come over once, then again. We go out for dinner at tacky restaurants, where art deco posters from the nineteen-thirties have pinned themselves up in scattered flocks across worn-out drywall and the menu is printed with strange font on laminated placemats. The appetizer sample photos are unnerving; the bruschetta cowers like a scared animal awash in excessive camera flash. I make a joke about it, and you laugh. We order dishes to share. The food is always better than I expected, but not quite as good as you wanted it to be. You don’t mind. We talk for hours. We agree, ballpoint pens are better. I hold you, and the ten p.m. bus pulls you out of my arms and through the dusky streets, past crowds and utility poles. I hold you, and we rhyme our steps. Burgundy is around us in the leaves and in the dirt. You wear a coat I gave you. I hold you, and we swat flies out on your porch. The days are getting shorter. I hold you, and we watch blu-ray CDs you found on sale. Soft light from the flatscreen plays across your face as you fall asleep. I keep the movie on a little longer. I hold you. In December, we bring a blanket to Long Island and listen to the sound of snow falling on the dunes. You call in sick for work too often. I hold you, and you know my callouses well. We share the same sheets; we are wrapped up in each other. I hold you, and kiss your hair. You smell like candied oranges. The afternoons eat away at one another. Dishes pile like uneven layer-cakes in your kitchen sink, crested with suds. You say you feel uninspired. Now we argue about laundry, and the sounds of your unhappy apartment are heard through half-open windows.  You shout, eyebrows furrowed like the pages of a book. A white plate soars from the grip of a trembling hand, misses an upturned chin, and interrupts us with its shattering. This time, it’s different. Sleep escapes us ‘til the sun is already planted on the easternmost rooftop. I hurt you the way I learned to, and stay awhile, but don’t know why I stay. We sink into sweet, heavy things: the saxophone in “Charcoal Baby”, shared creamsicles on hot Saturday evenings. I see you less and less, and remember less and less of you. Will I see you next week? Yes, if you text me. You forget, just like we’d both hoped.

@ad

Sep 17, 2024

Top Recs from @baixwar

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WEAK

For a man who follows his heart can never be weak. That’s what I used to believe, once—before the bodies piled up like autumn leaves, and belief curdled into something thinner than blood. I caught the whistle player once, a man stitched together by calluses and riddles. His tune wasn’t music; it was a wound dressed in melody. It scraped something raw inside me. A song of mystery, yes, but also of cruelty—a tune without mercy. When I asked him how he knew such things, he only laughed. Said the desert had taught him. Said that Mother Gaia, if she ever existed, didn’t whisper. She screamed. Through the grains of sand, she dragged him down—ankle-first, bone-deep—until he touched her molten heart. Said he came back remade, not better, just aware. "Men," he spat, as if the word itself offended him, "have always been the destroyers." Not gods. Not fate. Not even history. Men. And I realized then: this isn't about nations or borders or wars. It’s about the individual. The one who chooses to light the match. The one who watches the blaze. It is the gender. It is the myth we wrote in our own image, thinking ourselves gods, when all we ever were—are—was ruin.

@baixwar

2d ago

👗

DREAM

Last night, I dreamed—though I can’t tell you what of, not exactly. There were fragments. A lawn, half-mown, or cats—dozens of them, maybe. Their shapes flicker now at the edge of memory, insubstantial. That’s how it always goes. I dream every night, I know this, but each one slips through my fingers by morning, evaporating like steam before I can grasp it. It wasn’t always this way. As a child, I kept a dream journal. Religious about it. Woke up, wrote it down. And something about that changed me. Sharpened the recall, made dreams more solid. Realer. And then, over time, something turned. Now they vanish even faster. Like the act of remembering too hard wore out the muscle. I’ve thought about starting again. Journaling. Documenting. Not just the dreams, but the moments around them—the texture of waking, the taste of forgetting. Because vivid dreams begin with remembering, don’t they? But I hate recollection. The way it drags old feelings back up, stale and bitter. The way it stains the present with shadows of things that never happened. There’s something foul in remembering too much. Still. Maybe I’ll try.

@baixwar

Jun 7, 2025

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KNOW

I unblocked him today. Stupid, really. A gesture that meant nothing and everything at once—flick of a finger, avalanche of consequence. I don’t love him. I know this the way I know fire burns and poison kills. But there was a time I did. Or at least, I believed I did, which might be the same thing. And now, in the pit of night, he comes back. Not in memory, which I could handle. In dreams. Those cursed, wretched dreams where love feels like a trick played on me by some malevolent god. We are soft together, whole together. It feels real. Worse: it feels good. I wake up gagging on it. That intimacy, that false safety. My brain taunts me with what could have been, and I can’t even scream back. So I dissociate. That’s the clinical word for it. But really, I haunt myself. I float through the day like a ghost freshly exhumed, skin buzzing with sleep that clings to my body like mold. Am I still dreaming? Has waking up ever felt this fake? I ask myself: Do I still love him? Then a worse question: Did I ever? And the worst of all: Did I make it up, the whole damn thing? Because if I did—if I built it all out of nothing, like straw houses and paper people—then maybe I am what he always said I was. A liar. A little girl who makes up stories and calls it truth. My father’s daughter. And that’s the most disgusting thing of all.

@baixwar

Jun 7, 2025