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You're right/I hold in my body/little snakes inside a bottle/wirthing in my frustrations.
Jul 7, 2025

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listen, love "espresso" by sabrina carpenter. but my specific cocktail of mental neuroses will not let me let this go And I got this one boy and he won't stop callin / When they act this way, I know I got 'em that's the end of verse 1 right? this is the end of verse 2 My twisted humor make him laugh so often / My honeybee, come and get this pollen ...shouldn't the end of those two rhyme schemes be switched? like shouldn't it go somethin like: And I got this one boy and he won't stop callin / My honeybee, come and get this pollen and then My twisted humor make him laugh so often / When they act this way, I know I got 'em although this is not NEARLY the most egregious example of this. anybody remember that song "gold" from a while back?? that one with the line: I missed you in the basement / But your brother was a good substitute for you ....."REPLACEMENT" WAS RIGHT THERE I missed you in the basement / But your brother was a good ̶s̶u̶b̶s̶t̶i̶t̶u̶t̶e̶ ̶f̶o̶r̶ ̶y̶o̶u̶ replacement LIKE IT WAS RIGHT THERE YYYYYYY WOULD YOU DO THIS TO MY BRAIN
Apr 19, 2024
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Feel says leaf, tips ease is sea spit Teach, cheat, part trap You have my heart I want it back God, dog, devil, lived The giver takes, the taker gives.
Mar 29, 2024
The first single from Winter Boyfriend from the upcoming album set a, frankly, very different note. 'anx/bodies' is an outlier for us, musically and lyrically, but when putting the final touches to the album it was one of the songs that people seemed instinctively to engage with if they weren't broadly invested in our main thing, essentially indie/indie-punk made by a would-be emo band. At the very least it provoked a reaction. It's a song inspired by a very specific series of events but is not specifically autobiographical. Outside of the world of this song i am much less forward about sex. I enjoy being 'too much' with friends but i really don't want it going anywhere my family might hear it. Repression is fun! I often wonder if that's similar to what actors feel when doing nudity or whatever. It's a case of, "I don't want to know you've seen me experience that?" Anyway, honesty can help in art, but also maybe so too does a little internal repression. It was written about a memory of going to a university disco, arriving at the club where everyone was looking hot and cool, and i suddenly becoming very aware of my inability to be calm. It is essentially about over-stimulation and amorousness and the confusion of that smashing like a wrecking ball through any semblance of chill i might have had. The verse bass riff is really old, easily over 10 years old. I wrote it for a different project, a Death From Above 1979 rip-off thing, and my pal Martin played bass, while i sang and drummed. The song was unremarkable but the riff was cool. There was no way i wasn't keeping it. Also, it explains why it's the only song that uses a fuzz bass tone. Yet. I have no idea when i came up with the guitar riff but it's one of my favourite parts i've written. It's rythmic and a little bit dissonant, but i think the G# implies an E Major chord, making it A minor natural (sorry music theory experts, probably butchering this). I was also unsure if i could allow myself to write the chorus which used power chords. It always feels too basic. But it worked in the context of the song. I finished it years ago aside from a few lyrical tweaks and the introduction sound (chord played, tremolo arm depressed as it fades out, recorded and reversed). Also when mixing the song my references were very different and included a lot of 00s and 10s music, including bands that have been grandfathered into the whole 'indie-sleaze' thing, and it made me realise the second verse needed, nay demanded!, a cowbell and some percussion (the other percussion is drumming on glass bottles fyi). I feel like 'anx/bodies', and the song that follows it, 'on our way home', are two sides of the same coin. One uptight, repressed yet explosive, and the other unrelenting, desperate and flailing. You could almost imagine the latter being later in the same night, getting existential when worse-for-wear. More on that one later.
Jun 19, 2024

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Sesame Street is a brilliant show. We tend to glorify sloppy violence and ultra-dark themes but those are more than easy, in fact, they are often gratuitous and masturbatory! It takes much more intention to make something so beautiful, creative, and playful. Play is one of the highest forms of present-ness with another person. Compliments, cheerleading, pep talks all have a short lifespan. They're impersonal and don't actually require much effort. Play is a beautiful way to communicate to someone else that they are worthy of your sustained attentions, time, and imagination, and the fact that Sesame Street managed to do that for thousands of kids is nothing short of true genius.
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From Haymarket Books: "Now as ever, we recognize the root cause and ongoing perpetrator of violence in Palestine to be Israeli settler-colonialism and apartheid, and we stand in solidarity with Palestinians in their struggle for freedom."
Nov 14, 2024
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Project Gutenberg is a a "community effort to digitize cultural works". It has over 70,000 eBooks, including Moby Dick. This is your sign to finally read Moby Dick!
Nov 14, 2024