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As we embark on this new era of American apocalypse, I have found it helpful to look back at how artists have navigated the bowels of hell before. I find enduring inspiration in Diamanda Galás, especially her album Plague Mass (1991), a live recording of her performance at Cathedral of St. John the Divine, a howl of anguish and rage at the indifference and hypocrisy of the church in the face of AIDS. Galás lost her brother, the experimental playwright Philip-Dimitri Galás, to AIDS in 1986, and was herself a member of ACT-UP. In Plague Mass, while covered in blood, screeching, ululating, and speaking in tongues, Galás becomes a conduit for the voices of the dead, who in their suffering at the hands of their moralist torturers, remain defiant - “Give me sodomy, or give me death!”
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Impossible to pithily summarize the force of this artist (in which any isolated "scream" is merely another register of space across a VERY complex vocalic spectrum), but I like this one-liner from RYM: "The world isn't a pretty place and sometimes people don't want to hear the truth." Also, if you live in NYC and have *read* about the 80s/90s AIDS crisis but aren't sure you can *feel* it, listen to her work.
Mar 22, 2024
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it's good to read diane di prima, especially in times like these. it's also good to google this poem, and find this video of di prima reading it, and a few others, at the last waltz (!!!) of all places
Jan 9, 2024
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her work focuses a lot on capturing rituals and masquerades around the world. the pics below are from ppl in Ayiti 🇭🇹 doing ritual baths to engage with Vodou deities. haven’t been able to get the first photo out of my mind, there’s just something about it. i highly recommend listening to vast comforts of sorrow on repeat as you engage with it.
Apr 10, 2025

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