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What if the entire Splice library was launched into the ether, prompting a Pokemon-esque scavenger hunt to catch ‘em all? This is what ear pulls off. And yet, the duo’s voices are the best instruments in the mix. Chopped notes and cheeky whispers and sharp breaths abound in their latest singles, “Fetish” and “Valley Serpent.” A cut-and-sew craft project of a song, “Fetish” shows impressive restraint for as long as possible before mutating multiple times. It’s not just a glazed ambient track, or bass-boosted electronic, or .5 speed breakcore. The disjointed lyrics are hypnotically aphasic, as if having a stroke could be a beautiful experience. “Valley Serpent” has the same structureless setup, shrouding a poignant piano ballad in blown-out artificial noise. For all they add, they know when to get minimal. The gentle recitation “feels like a burden” is scripted to haunt. The most Lynchian release of the year! - Madeline Frino
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Top Recs from @ninaprotocol

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HĂŒsker DĂŒ were in limbo in 1985. Their relationship with SST was starting to sour after the legendary Twin Cities band’s release of New Day Rising, and by the end of the year they were in talks with major labels (September’s Flip Your Wig stayed with Greg Ginn’s label, but Warner swept in soon after). Now, five live recordings from the top of 85, split between those aforementioned albums, were unearthed and freshened up by the archival titans at Numero Group, who also put out the group’s 2017 box set Savage Young DĂŒ.
Don’t expect a bootleg. The hometown show at Minneapolis venue First Avenue was recorded to 24-track tape for an intended release that never came to fruition. Jan. 30, First Ave Pt. 1 highlights the band’s brash, pop-pushing punk, proving that good things come in threes. Their raw presence surely silenced a few naysayers who, at the time, thought their melodic inclinations and genre bleed pointed towards a “commercial” sound. Some people don’t know what they’ve got until it’s gone 
 and then recovered by the label that introduced Duster to Gen Z.  - Madeline Frino
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On eleu’s new single “r u shy or smthn,” it’s hard not to think about Erika de Casier when the chorus hits. The hook’s blend of cute and catchy lingers in the brain. It’s the artist's first song since her SOFT CUTE HARD EP, a heartfelt melding of hyperpop and R&B influences that eleu describes as being “unified by an aesthetic idea that each song stands on its own.”
Describing herself as a "mythical sorceress of play," eleu moves effortlessly between careful and confrontational, guided perhaps more by instinct than genre. There’s a quiet allure to her voice and songwriting. On this new track, the production takes a backseat, letting her melodic vocals take the lead. It’s a delicate, confident little ballad, and I wouldn’t be surprised if that de Casier-esque hook ends up looping in your head as you go about your day. - J.vienberg
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Dan English is your favorite artist’s favorite artist. Who else could gather dozens of New York names to perform in an “acoustic guitar orchestra?” Sky Record is his first full-length in seven years, but that doesn’t mean he hasn’t been hard at work in the meantime—”Across My Jaw” was written in 2019, and “Borrow” even earlier. The list of credits seems overwhelming, but a massive camp is necessary to create something this expansive and haunting. It was a family affair, too. His cousin Melody English (General Director of the Brooklyn Chamber Orchestra, with her own brilliant solo project) contributes vocals, and his dad Jon English broke out the harmonica. “Near to the Wild Heart” is a timeless piece of chamber folk, and “Need” combines Anne Carson poetry with pedal steel and noisy riffs. The world that English has built is just as impressive. All of the medieval storybook-style cover art from the rollout was handpainted, and a pair of live videos (backed by a 42-piece ensemble) are nightmarish and dreamlike all at once. Through all the strings and synths and hushed singing, it still reads as a rock record. It's as if he invented his own wall of sound. - Madeline Frino
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