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😃
i genuinely think these two songs are like the pinnacle of song production. there's so many layers and themes throughout these two songs that feel simultaneously nostalgic and exciting, yet harrowing and intimate. either that or i just really love jane remover. it's probably the latter :P

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i feel like she’s the artist who I’m most locked on the same wavelength with right now. everything that she releases I'm super into. I first heard about her years ago when a friend sent me homeswitcher off of her first project (previously released under a now defunct alias) but I didn’t really have her on my radar until 2021’s Frailty. songs like your clothes and movies for guys off that album fuse together so many sounds from rock, emo/pop punk, electronic/dance, and experimental music in a way that still feels cohesive.
since then she’s been a bit of a sonic chameleon. her second album Census Designated is like pop hooks and song structures over noise rock. the track Video is especially haunting and the title song is explosive while not having any drums, just crushing waves of noise, guitars, and her voice. this year she's already released a shoegaze/grunge album under her Venturing alias that’s fantastic and very 90s rock inspired, and her third Jane Remover album drops in a month or so, the lead single JRJRJR is probably going to me my most listened to song this year by a long shot.
outside of her main albums she's got an electronic mashup/remix alias, some dancefloor ready bangers under her main name, songs that are basically disney channel pop tracks over drill/rock fusion, and tracks that draw from latin music like bachata. she's one of the most versatile artists in the game rn and i'm loving all of it.
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Album of the year so far to me!
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in one release she went from digicore posterchild to grungy shoegaze diva and she wears it well. a lot of production from TAGABOW on this which someone else rec'd. the walls of sound across this album are brutal and her delicate vocals are gutwrenching and occasionally jagged
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