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hayley williams released all those songs from her webby site as SINGLES. the girls are saying bc she wants US to decide the listening order. but im sorry mama it’s just this and mitrazapine (ill never spell drugs right) on repeat baby!!!!!!
LIKE WHY HAS NO ONE WRITTEN ABOUT EGO DEATH AT A BACHELORETTE PARTY
i’m quaking. i cant stop LISTENING.
if anyone wants to be in a band with me as the lead but it’s bad vocals and we just make music like this UGHHHHHHH hit my MF LINE!!!!
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need ittttttt + lying has to stop by clairo, classic unreleased + body by katie gregson macloed, on soundcloud is all i need šŸ™
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Swim or Sink Like this post if you're also fed up with Billie Eilish. Jokes aside, her new album is one of the two most powerful pop records of the year so far. I just got around to her release and yesterday I listened to Dua Lipa's new album, so I'm making up for it twice over: I realized what I like about Billie's album compared to "Radical Optimism." "HIT ME HARD AND SOFT" is a sophisticated alt-pop album that doesn’t even try to sound like a hit. I like that Billie intentionally didn’t turn her album into an event: near-zero promo without singles made me forget the album was even about to drop. ā€œI don’t like singles. This album is like a family: I don’t want to leave any of the kids alone.ā€ So, I dived into this release with zero expectations—and that’s probably the coolest strategy for promoting such music. Dua Lipa's promo wasn’t the most outstanding, but it was big enough. But I’m more concerned with one specific part of it: Dua claimed in an interview that she was inspired by ā€œBritish rave culture, Primal Scream, Massive Attack, Britpop, and Gorillaz.ā€ She even invited Kevin Parker and Danny L Harle to make the sound richer and more interesting. But when the album came out, I had only one question: where is all that? ā€œRadical Optimismā€ turned out to be a very timid release, where I hear neither Tricky’s nor Damon Albarn’s approach. And Kevin Parker’s name in the credits just makes you snort—it’s one of those cases where even a talented producer couldn’t save music he’s not used to working with. Billie and Finneas say they were inspired by Tyler, Lana, and Vince Staples' music. But listening to the album, I understand what they really mean—the desire to ignore standards and do something of their own. This approach is closer to me: it sounds more honest and fully unfolds in the music itself. Finneas skillfully mixes pop, folk, and electronics, trying to make not a hit, but just cool music. Listen to the phenomenal transition in ā€œL’amour De Ma Vieā€ā€”this is the level of production we’re talking about. Billie overcomes herself and starts singing at full voice, moving away from the image of a ā€œwhispering languid girl.ā€ The lyrics tell an honest and sometimes touching story of love and self-discovery. Everything works like clockwork here—it seems like the same calculated pop approach as Dua Lipa's, but with the right passion and enjoyment. Now let’s look at the situation from the side of numbers, sales, and all that nonsense. Lipa obviously aimed for the charts—but magically didn’t end up in them. Because even the mass listener can feel when the music doesn’t hit. I don’t like referring to the crowd’s opinion, but here I completely agree with them: ā€œRadical Optimismā€ turned out to be just a dull addition to quite powerful singles. Billie’s album came out without any singles at all. Will Billie and Finneas’s creation become a hit? Probably not. But it wasn’t meant to be—it’s more about talented music that deserves praise. An album not for the masses, but for critics, if you like. Now fans are actively spreading the theory that Billie’s album is actually a double one: firstly, the leaked merch hints at this, and secondly—the final line ā€œBut when can I hear the next one?ā€ makes you want to believe it—because I’d be happy to get another portion of Finneas's refined production. Dua is calmly splashing in the water under the sun, while Billie Eilish is sinking, trying to overcome her main childhood fear (yes, the cover was shot live). I’m not a hater of Lipa, rather the opposite—but I think stories like this should teach something. You can’t update your sound just by inviting Tame Impala, just as you can’t sell an album to the masses if there’s nothing to listen to besides the singles. If you’re inspired by Primal Scream, you’ll have to play by different rules. Because while Dua is resting, Billie and Finneas are setting their own rules for the entire industry. And maybe not immediately, but everyone will appreciate it.
Jun 21, 2024
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it’s crazy to think she’s been around 15 years and this is one of the best songs she’s ever put out. It’s silly it’s outrageous the lyrics read like a tumblr post and she’s just out here trying to be that girl. It’s been stuck in my head since I heard it. following up a poetry book which I’m sure not a lot of people read with this unhinged masterpiece is the energy I want to see in the world.
Apr 11, 2025

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everytime i log on and see my web user homies posting, i be like šŸ‘‹šŸ¼šŸ‘‹šŸ¼šŸ‘‹šŸ¼ bonjour! or whatever the frig belle sings at the beginning of beauty and the beast 🄲 like i saw @MARXINISTA mornin post and i was like GM šŸ˜‡āœšŸ¼šŸ‘‹šŸ¼ <3
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please let us be free from the commodification of the data generated from our social, whimsical, and sincere, free expression
the sincerity of this app is because it’s different from those other apps :/ why do we need metrics on how we socialize? šŸ«©šŸ«©šŸ«©šŸ«©šŸ˜®ā€šŸ’ØšŸ˜®ā€šŸ’Ø
i’m curious as much as i am sad about the decision to make the star count visible. is that what its proper name is? or are we calling it likes? šŸ‘€