A lot of popular comedians I’m not really a fan of. I’m not about ones that are way over the top. Show me your smarts! Josh Johnson is one I love getting the news from. He’s filling me in, in the funniest way. Plus, he’s coming up with new material every week without relying on crowd work. Another I really love is Nate Bargatze. He’s kind of wholesome??? Like, I could recommend him to all ages and he’d be funny. But he’s not innocent, if that makes sense. Chris Fleming is my favorite weirdo out there and I’ll always recommend 🫶 Anyway, I’m brain dead because I haven’t eaten enough today but I hope this helps!!! šŸ’—
Jun 20, 2024

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James Acaster (v quirky and unconventional, but top tier imo) Michael Che Mae Martin (also less conventional, almost more of a story teller approach) Saw someone mention Nate Bargatze, excellent deadpan You may also enjoy Neal Brennan, used to write for Chappelle’s Show
Jun 21, 2024
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The sheer amount of standup specials, YouTube/IG/TikTok stars, etc. oversaturate our brains, and I think it dilutes our experience. This is surely true of music for me lately - I need breaks from new things pretty often. I think another symptom of it being so abundant is the more you've seen, the harder it is to be surprised by new styles and personalities. I've been a life-long standup fan for as long as I can remember, and gimmicks and fads have always been a thing. But still, every year, something new grabs my attention. It just takes some digging to find the people that tell the kind of stories that make you laugh. Here are some ones I really liked recently: Kyle Kinane - Dirt Nap Jacqueline Novak - Get On Your Knees Sheng Wang - Sweet & Juicy Brian Simpson - Live From The Mothership Chris Fleming - Hell (As mentioned in other responses, just the best kind of weird) Taylor Tomlinson - Look At You Nate Bargatze (any of his many on Netflix)
Jun 21, 2024
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Your 90% figure is something I use to describe how much art media is basically not good – tv, movies, music, etc. But the particularity of standup as an art form – the bizarre mutual expectation of a specific response (laughter) – means that it can ā€œfailā€ more obviously. Mediocre music can be shrugged off, and pretty easily tolerated by most; it doesn’t come with the same expectations. But when someone’s jokes don't land, it immediately lays bare a devastating rift between performer and audience. Most people just want to laugh, though, and they’re ok with laughing at anything that purports to be funny. You make a joke about the difference between men and women, I laugh, everyone goes home happy. So there’s a lot of trash that ends up getting elevated because it’s ā€œgoodā€ enough to fulfill this social contract for enough people. But there’s always good stuff out there! I’ll 4th Chris Fleming and throw in Conner O’Malleys recent special. Sorry but they both yell, lol. If you want a very different, bizarre, highly personal, often uncomfortable, avant-garde, and of course, funny rec: Natalie Palamides’s Nate: A One Man Show which was out on Netflix a few years ago.
Jun 21, 2024

Top Recs from @mossyelfie

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For some reason this brings me into my parasympathetic nervous system
Mar 28, 2025
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Humans have always danced. It is part of who we are, yet we have been conditioned to be self conscious, to think that we do not move our bodies good enough. Dancing is beyond judgement. Dancing is not a skill, it is our soul moving through our bodies, expressed in movement. Dancing is healing. Dancing is bodily autonomy. Dancing is FUN! Any feeling you are feeling can be moved through with dance yet even alone, you fear looking foolish. Kill the judge in your mind, shut the fuck up, and MOVE 🌊
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Apr 2, 2025