Related Recs

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figure out who you want to be

reinvention for the sake of reinvention is silly. I'm sure you're a cool person as is, and change and growth are good, but you shouldn't throw the baby out with the bathwater and just randomize a new set of hobbies and personality traits and whole vibe... figure out what values you're committed to, figure out what you like about yourself, figure out what traits you value in others... explore, meet people, learn from their perspectives, keep an open mind, try new things. Explore art in different media--it doesn't have to be fine portraits and sculptures... sometimes you just go from being a TV person to being a movie person and movies start to give you new perspectives. but don't just pick up personality traits ad-hoc. keep a focus on who you want to be and stay directed towards that goal. explore, but don't get distracted, don't get lost.

@danhakimi

Apr 18, 2024

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it's never too late to choose a new path

been having a lot of conversations with friends and family about people feeling stuck - stuck in the first job they got out of undergrad, stuck in an industry they don't care for, stuck in a place they don't feel connected to, stuck with a story they inherited not one they wrote for themselves. our society imposes on us the damaging narrative that we have until age 18 to choose the way in which we will be a productive member of society, and then until age 22 to acquire the skillset to do so, then we must contribute in that way until retirement. finding yourself having followed this path but feeling disconnected to your core values/desires/goals is not uncommon. this was me when i was 23, and to a lesser extent i am finding myself in a similar situation now as a recent 26 year old. you are not alone. here's my advice: find what motivates you, and pursue it with abandon. obviously there are economic realities that make this movment difficult, and this is by design. needing to work for survival keeps us fitting neatly into the roles we've been assigned and makes breaking this mold difficult. this system robs us of our time and energy that we could otherwise apply towards self-actualization. this (combined with the narrative that diverging from a singular career focus will stunt your progress and hinder your sucess) keeps us frozen in a mindset of scarcity and immobility. you have more agency than you realize, though, and your only compass should be that which makes you flourish as an individual. reject consistancy, humans are too complex to be burdened with the obligation to be stagnant. we are told that we have core competencies that make us assets in one specific capacity. this is an economic reality, not a human one. in truth, humans are more capable and dynamic than we know. that which you apply towards one field can just as easily be applied to another, and your "career" can look like making use of your knowledge and skill across many fields and roles and places. don't feel obligated to limit yourself to one narrow path. edify yourself by allowing your compass to guide you along a broad and diverse path. lastly, reject narratives that are not true to your experience. during this period of regaining your agency and taking control of your own direction in life, you will be met with the well-meaning voices of those who have internalized the narratives of our culture, and they will weaponize this against you. they will tell you to fall back in line, to not seek out that which you know to be good for you. do not fall into weariness. you owe it to yourself to find flourishing where you can, and to follow the moving target that will lead you there. what you are doing is brave, and authentic to your true self. answer to no other voice but your own. the corporate climate is so entrenched in the ways of our world and it is starting to reveal itself as a system which does not serve us as individuals. to a certain extent this is out of our control, but in realizing this you can also become more in tune with that which you can control in and of yourself. best of luck friend.

@royallmonarch

Aug 5, 2024

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course correction

knowing that you can always move in a new direction no matter how far you‘ve strayed from where you wanted to be

@joeldcross

Apr 24, 2024

Top Recs from @royallmonarch

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WATCHING MOVING WATER

just sit still and listen. drink it in.

@royallmonarch

Jun 2, 2025

📴

DETACH from the algo, become an active participant in your own curation, form relationships to music, track your patterns

I consume a lot of music regularly, and a huge part of keeping a fresh diet of new listens going is having enough sources of recommendations that aren’t an algorithm that either 1) reinforces your existing listening patterns, keeping you stagnant in your tastes, or 2) platforms whoever paid enough to push their product to the top, serving you something that may not inherently be of inferior quality, but may not align with your tastes, may not be exciting beyond just being a new release, and realigns your current listening habits to be more in line with what the average user on the platform is also listening to — which socially might have benefits but which creates a homogeneity of consumption that can become bland since you’re listening to something really just because it’s the next product on the assembly line to have its public moment and not because anything about the music actually captured your attention. the current landscape of streaming is designed to keep you at an all you can eat buffet where you take what’s served to you, and as a result a lot of us have forgotten how to look at a menu and order. so what does taking a more active role in your own music curation look like? for me, it’s meant not using streaming as a primary listening platform. I mostly use my local Apple Music library on my phone that I curate with the vestigial iTunes Library framework that’s still a part of Apple Music on my laptop. probably going to find an alternative soon since apple seems to be cutting integration progressively. I like this method because it forces me to choose what to sync to the limited storage space I have, forcing me to take inventory of what I actually listen to and what I can offload. the files I get are mostly from Bandcamp or Soulseek depending on whether it’s available for purchase or entirely unavailable online (as is the case for a lot of electronic music that was on vinyl only, which is where soulseek comes in clutch). I also have freedom here to change the ID3 tags to better sort and organize, rate, change track info, and track my own listening data. Bandcamp and other music purchasing platforms are great because 1) it reshapes my relationship to music away from consumerism and back towards curation. I have to pay actual money for this thing now if I want to use it, so i’m forced to consider its value (usually i’ll stream a release first to gauge my interest). 2) having to spend money helps me to course out my meals so to speak, as i’ll buy a few releases i’ve accumulated in my cart over the month and cash out on Bandcamp Friday when 100% of my money is actually getting to the artist (TOMORROW IS BANDCAMP FRIDAY BTW!!!), and between purchases I can actually chew and savor and digest my last orders, they don’t get swept up in the deluge of new releases. my plate is full until i’m done and then I order more. also for the times of the year like now when new music isn’t coming out as regularly I take time to find older music that I would normally overlook while keeping up with new drops. currently very into early 80s/late 70s music with early digital production, kinda stuff that would evolve into synthpop and dance music. so how do you know what to order? for me, I’m getting recs through trusted curation platforms. whether it’s bandcamp daily, y’all lovely folks here on PI.FYI, friends, or most importantly musicians who I follow on socials that share their tastes through posts, stories, playlists on steaming, interviews, etc. I like this last one especially because it’s kind of like a musical game of telephone. if I like an artist and they share their interests and influences it’s like every layer in this process is stretching my palate further from the sound that I was originally interested in and into a new territory that has some shared DNA but would never have been recommended to me by an algo because there’s no shared category or label between them, only the musical influence and interpretation of it made by the artist. as an example, I was a huge Skrillex stan, he signed KOAN Sound to his label, they collab with Asa who collabs with Sorrow, Sorrow takes huge influence from Burial, Burial makes some ambient adjacent stuff and takes huge influence from 90s rave music and drum and bass and 2000s rnb, now i’m listening to Brandy - All in Me, William Basinski, Aphex Twin, none on whom would get recommended by Spotify to me from Scary Monsters and Nice Sprites. LAST thing i’ll say — because in yappin about this i’m realizing how actually passionate about this subject I am: MAKE LISTS! playlists are cool, but they can flatten your music into vague categories of “vibes” and “aesthetics” and encourage picking one-off songs from artists that you never form an active audience relationship with. I make a practice of making my own year end lists of top 25 albums (plus some honorable recs and top individual songs) and keeping them in a notes doc that I regularly update and rearrange over the course of the year. this forces me to consider the actual relationship i’m forming with what i’ve ordered for myself. did I like it in the moment but it didn’t have staying power? is it slowly growing on me? it also encourages taking albums as a whole. maybe I liked one or two tracks a lot but the rest wasn't resonating. that’s ok! maybe I rank it lower but now i’ve actually taken time to consider it, it’s in my library, and maybe (quite a few cases for me) something I ranked like bottom 5 albums becomes a retroactive favorite from that year as my tastes evolve. also 25 albums to take with me from each year is really more than you'd think, i struggle sometimes to even find 25 that I formed a true connection with. I think the biggest thing the itunes era ruined that led into now is the single-ification of music, the ability to separate the hits from the deep cuts. albums are meant to be taken as a whole, and then once you've really sat with the whole you can find what actually stuck. even then I like to keep the whole around because soooo often i’ll write off a track that yeeeears later I come to love. trust the artist, they made it like they did for a reason. aaannyyyywayy TLDR: get recs organically, be more active in deciding your listening patterns, fr*cken pay artists yall, trust the artist embrace the album, really consider what you consume

@royallmonarch

Feb 29, 2024

🚲

GOING ON A SUMMER SUNSET BIKE RIDE

many treats to be had

@royallmonarch

Jun 4, 2025