Everyone should get a chance to listen to this record in their lifetime. Zappa’s body of work sometimes gets overshadowed by raunchier, wackier material like “Titties & Beer”, but within his massive discography lie works of true genius and beauty. In the mid 1960’s Zappa was signed to MGM records, but a Capitol Records producer who’d learned Zappa could write orchestral music approached him with the suggestion he do an orchestral album for Capitol, since Zappa’s MGM contract didn’t bar him from conducting. Released in 1968 after being tied up in label litigation for 13 months, the result is a staggering blend of orchestral music, experimental sound collage, music concrete and avant-garde rock. Artfully interspersed among the music are pieces of bizarre dialogue. Zappa noticed that if you spoke near the strings of a grand piano they’d resonate in a pleasing way, so he recorded hours of “piano people” dialogue and made careful selections. A perfect work of art, in my opinion.