This book was part of my challenge for myself to read more books from queer perspectives this year. It’s now become one of my favourite books, period. I feel like this book speaks primarily about identity, queerness, grief and drug use. But, it also explores these in a world where capitalism doesn’t exist any longer, which I found really brought depths to the story in unexpected ways for me. Chana Porter is a genius and I just cannot express how excellent this short book is.
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Mar 19, 2025

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“I discover a journey not identical to my life’s path, and yet blazed with the intimate familiarity of my own lived experience. I locate theory—the way it is lived— in motion and in interconnection. Not hard to understand; hard to live.“ - Leslie Feinberg (10th anniversary edition) heartwrenching from start to finish. a warm hug for someone like me. i can’t really criticize the writing of this book, just because it’s the uniqueness and importance of this story that sets it apart. it is a story that absolutely needed to be written. what’s even more amazing is that such simple writing could capture the lived intricacies of gender and sexuality in so many shades. i had never felt seen like this.
Jan 7, 2025
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My debut novel came out last year in the US, UK, and France, and I was struck by the panels/talks where people kept asking me about queer joy. I vouch for queer joy, of course, as a queer AF person whose art/writing delves inward in a cheeky way. BUT I write from the gay abyss, the mix of rage and melancholy that is just as important, valid, and—dare I say—triumphant. The crayon box is important because every single day, love affair, conversation won’t be a joyous corny ass love parade, but a melange of all things brutal and beautiful. So rage against the rainbow machine, loves 🖤
Feb 10, 2025
this book made me feel all of the things and then some, great read for when you are in a transition period of your life
May 29, 2024

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